Rendező:
Adam RobitelOperatőr:
Marc SpicerSzereplők:
Taylor Russell, Logan Miller, Jay Ellis, Tyler Labine, Deborah Ann Woll, Nik Dodani, Yorick van Wageningen, Jessica Sutton, Kenneth Fok, Jamie-Lee Money (több)Streaming (3)
Tartalmak(1)
Játéknak indul. És a játékosok nem sejtik, hogy az életük a tét. Hogy talán nem is játékosok ők, hanem csupán bábuk egy sakktáblán. Hat idegen furcsa meghívót kap: egy ingyen menetet egy szupervalóságos menekülőszobában. Nem ismerik egymást, nagyon különböznek egymástól, és nem értik, hogy kerültek oda. De ha már ott vannak, megpróbálják jól érezni magukat. Csakhogy nincs kijárat. A feladatok viszont egyre veszélyesebbek, és aki kiesik, az mindent elveszít. Ahogy szobáról szobára haladnak, rá kell jönniük, hogy szó sincs könnyed időtöltésről. Aki a szabályokat kitalálta nagyon okos és nagyon kegyetlen, nekik pedig valóban menekülniük kell. És láthatatlan ellenfelük mintha túl jól ismerné őket… (InterCom)
(több)Videók (1)
Recenziók (8)
Három, de határeset. A Fűrész felesleges lágy változata, vér és szadizmus nélkül. Koncepcionálisan pontosan ugyanaz, unalmas karakterekkel és még unalmasabb kvázi kirakós játékkal. A filmben semmi sem bosszantott, a kivitelezés rendben van, de ugyanígy semmi sem lepett meg, vagy tetszett átlagosnál jobban. Egy igénytelen falatka tinédzsereknek.
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I can’t believe so many people settled for this watered-down mix of Saw, Cube, and who knows what else. It’s bland and brainless, gradually turning into an even thinner and more stale mess. By the final third, I’d completely checked out, and the ending wasn’t even worth a scornful laugh. Enjoy the inevitable slew of sequels without me.
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Robitel delivers exactly what the trailer promised: a very well crafted, fast-paced technological-puzzle thriller with hints of Cube and Saw. It’s 100% and without any doubt a popcorn flick, free of any horror art that could be engraved in my memory, but I have no problem with that. If all popcorn cinema tasted like this, it would be great. As a fan of real scape rooms, I appreciated that the premise is used properly. Many of the rooms and puzzles that can be seen in the film reminded me of things that you can find in actual scape rooms. So, at least in this, the film is well anchored in reality, even if the plot is farfetched at times (especially the final setting for the sequel). The resolution is a bit disappointing, the creators didn’t bother too much with explaining all of it, and the point lies basically on what anyone can come up with first. But I can take that. Overall, it’s pretty good fun and won’t refuse a sequel.
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I've always enjoyed these variations on Saw and Cube, so I appreciate each new addition. The characters are likeable, they behave rationally and you care about them, which is the most important thing in films like this. The lack of gore doesn't matter at all in the end, because there wasn't even room for it. Rather than a horror film, Escape Room is closer to a thriller, but it still manages to build tension in abundance. Technically perfect, all the rooms are used to their full potential, and the ending didn't disappoint me – solid and perfect cinema entertainment. The only minus for me was putting the last scene at the beginning,which slightly spoils the surprise. Adam Robitel just keeps getting better and better. 75%.
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At the first glance it looks like someone copied from Saw and Cube. With the only difference being that at the time those movies were made, nobody knew what an “escape room” was. And I must say that I liked it. Not as a horror, but rather as a thriller. I was enjoying myself. Maybe because I’ve never been to any escape rooms. And after this movie I will think twice about going.
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