Rendező:
Тимур БекмамбетовOperatőr:
Mitchell AmundsenZeneszerző:
Danny ElfmanSzereplők:
James McAvoy, Morgan Freeman, Angelina Jolie, Terence Stamp, Thomas Kretschmann, Common, Kristen Hager, Marc Warren, David O'Hara, Konstantin Khabenskiy (több)Streaming (5)
Tartalmak(1)
Wes nyugtatókon él és rabszolgaként dolgozik egy irodában, a főnöknője rendre megalázza, a barátnője meg félrelép a legjobb barátjával. Egyik nap azonban találkozik egy szexis lánnyal, aki nemcsak elmondja neki, hogy a rég elfeledett édesapját megölték, hanem egy lövöldözés során megmenti az életét. Kiderül, hogy az apja egy titkos társaság tagja volt, amely a világ egyensúlya felett őrködik. Ők végeznek a világra veszélyes emberekkel. És most eljött az idő, hogy Wes apja nyomdokaiba lépjen. Ám ő rájön, hogy a nemes eszmék mögött más érdekek húzódnak meg. (UIP-Duna Film)
(több)Videók (5)
Recenziók (15)
Látványos az biztos, mégpedig NAGYON. Színészileg érdekes. De ez egyszerűen egy olyan rendező munkája, aki összekeveri a reklámot a filmmel. Egy olyan rendezőé, aki nem tud úgy elmesélni egy filmtörténetet, hogy az igazán magával ragadjon. Sorry.
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Let your heart rate increase to 400, let yourself be kissed by Angelina Jolie, and above all, let go of everything. Because it's just futile writhing from nowhere to nowhere. You won't find a more peculiar way to find spiritual revival anytime soon. Twist the path to the bullets, fulfill the mission, or just enjoy it splendidly. Because James McAvoy as the God of Chaos is watching over you and makes you forget that the plot about a woven message is actually just incredible nonsense. So now you can tell me: why are you here...?
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Or: How the Russians (I know, he’s from Kazakhstan, but still) pays Czechoslovakia a “friendly" visit, like they did in 1968, this time for American money. I’ve liked Bekmambetov ever since Night Watch, but back then he didn’t manage to keep total control. Then, in Day Watch, he let go of the reins far too much. At the beginning of Wanted, my hopeful smile was wiped from my face by the opening action scene. It’s a long time since I saw such dumbness and pure awkwardness on the silver screen. It’s just far too much. I awaited in horror what was to come. But then it managed to push itself off the bottom of the anti-talent pool to incredible quality. Even the Palahniukesque toiling of the main “pimp" indicated that Timur and his gang might manage after all. And then it really gets going, one idea after another. This is an inaccessible action movie in all ways, despite having a functional story, good actors and even that stagnating Danny Elfman is on his way to the top again. And last but not least, you have to get used to an approach where loads of teenagers are fondling their darlings in the street. I mean pistols, not girls. This is a stylish celebration of weapons. But you know what? The arms industry couldn’t hope for a better commercial.
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A very pleasant surprise. Great actors, good action, not nearly as bad a script as I expected and above all a generous portion of directorial ideas. Too bad about the lower budget and thus unimaginative production design and maybe too frantically filmed fights. Anyway, an enjoyably anarchic extravaganza that pulls no punches.
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Bekmambetov picks up in Hollywood where he left off in Russia. He just lovingly wrapped the "nothing" plot in a screaming visual package, using A-list actors instead of ribbons. Morgan mentors on a flywheel (not meant in a bad way), Angelina pouts her lips seductively again after a long time, and James boldly shows his ticket to the acting elite club of his generation. I didn't catch on to the anarchy that much (I’m interested in the comics) and the comparison of forces with The Matrix also seems quite wrong to me. Still, I’m definitely giving it a thumbs up, particularly in that Len Wiseman should get one of the DVDs so he can see how to film "over the top" action without necessarily looking stupid. 4 ½.
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