Rendező:
Billy WilderOperatőr:
Luigi KuveillerZeneszerző:
Carlo RustichelliSzereplők:
Jack Lemmon, Juliet Mills, Clive Revill, Edward Andrews, Pippo Franco, Yanti Somer, Gianfranco Barra, María Rosa Sclauzero, Ty Hardin, Janet Agren (több)Tartalmak(1)
Ifjabb Wendell Armbruster (Jack Lemmon) dúsgazdag üzletember Olaszországba utazik, hogy szomorú kötelességének tegyen eleget: haza kell hoznia apja holttestét, aki autóbaleset áldozata lett. Kiderül, hogy nemcsak apja vesztette életét a balesetben, hanem szeretője is és a tragikus események innentől inkább komikus fordulatot vesznek: kiderül, hogy a nagy tiszteletnek örvendő apuka nem is a köszvényét kúráltatta egy elegáns tengerparti hotelben, hanem minden évben egy hónapon át élvezte az olasz "dolce vitát" bombázó szeretőjével, akivel szó szerint levetkőzték minden gátlásukat. Wendellnek mindezt apja szeretőjének lányától, Pamelától kell megtudnia, aki anyja holttestéért jött a napfényes Itáliába. A kezdeti ellenségeskedés végül romantikába csap át, mivel Wendell sem tud ellenállni az olasz táj és Pamela domborzati szépségeinek és a fiatalok újraélik szüleik gátlásoktól mentes nyaralását. Eközben a holttestek hol eltűnnek, hol megkerülnek, és a félreértések sorozatának se eleje es vége... (Fantasy Film)
(több)Videók (1)
Recenziók (3)
I tried watching Avanti! twice and in both cases I felt the same mild detachment and disinterest. I have a similar feeling about Wilder as I do about Hitchcock. I knew his most famous films and in my eyes, he was a flawless creator of perfect thrillers. However, over time I realized that he was also capable of mediocre films that left me puzzled. If there is something that works perfectly in Avanti!, it is the presence of the proven Jack Lemmon, who portrays what we are accustomed to seeing from him. However, he is unable to rely on such high-quality dialogues that made The Apartment and Some Like It Hot great comedies that have not aged even after all the years. The functional humor in this film is scarce - in fact, I cannot even remember genuinely laughing even once. I couldn't relate to the characters, and Juliet Mills in the role of Pamela didn't impress me either. Perhaps only the hotel manager, Mr. Carlucci, suited my image of a comedic figure and stood out in my eyes. I also have a problem with the theme. The way it casually deals with the motif of infidelity (actually justifying it in the name of romantic excitement) somewhat irritated me. Could it be that I'm becoming a moralist in my old age? If the film had a standard runtime of 90 minutes, I would give it 3 stars, but Wilder overreached and didn't understand that this script could not sustain 140 minutes. Unfortunately, at this length, the film clearly bores me at times. Overall impression: 45%.
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A thoroughly charming 70s American comedy. The 140-minute runtime didn’t bother me at all, because Juliet Mills, with her adorable, curvy appeal, perfectly embodies the spirit of the era.
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This comedy is meticulously crafted down to the smallest detail, with the wonderful duo of Jack Lemmon and Juliet Mills and the magnificent Clive Revill as a professional hotelier who solves every problem without blinking and only sleeps in the winter. He was the one I enjoyed the most. It says this film is "almost as good as Some Like It Hot". Nonsense. It's much better. Despite the length, it entertains from beginning to end, and the many types of humor make it a balanced cocktail that is easy to drink.
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Galéria (55)
Photo © Metro-Goldwyn-Mayer
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