Rendező:
Nicolas Winding RefnOperatőr:
Larry SmithSzereplők:
John Turturro, Deborah Kara Unger, James Remar, William Allen Young, Amanda Ooms, Nadia Litz, Liv Corfixen, Robert Huculak, Gene Davis, Mark Houghton (több)Tartalmak(1)
When his wife is killed in a seemingly random incident, Harry, prompted by mysterious visions, journeys to discover the true circumstances surrounding her murder (forgalmazó hivatalos szövege)
Recenziók (4)
Alternatív thriller lassú, szondázó rendezéssel és mértékletes párbeszédekkel. Figyelmes nézők számára. Egy tiszta, sebesült és ártalmatlan hős, akit az érzelmileg forrongó John Turturro alakít, szemben a hatalom és a törvénytelenség magasabb, kegyetlen világával. Turturro a színészi játékával a film egyik fele, a másik fele Refn egyedi optikája.
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A fantastically made mysterious thriller with a perfect depressive atmosphere. Some of the scenes have so much tension that it’s almost tangible. That this film follows David Lynch’s model and can’t be exactly understood, that’s another thing… In most films like this, the trickiness can be attributed to an unreliable narrator, which here is a bit of a problem because everything we see is told from the point of view of the main character. Personally, I feel that this is to some extent the irrationalisation of a rational detective investigation through the rationalisation of the irrational ideas of a deranged “detective”. As a result, the shifts in the investigation take place randomly and related events in the plot are lacking a logic coherence. But who knows… Either way, it was nice to watch.
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Winding Refn style, oozing from every shot. An unusual story about revenge (?) is presented in dream sequences that are up to the viewer to interpret. You could say that this is almost a Lynchean work, but Lynch is just that much less comprehendible. Otherwise great Turturro in a very unusual role. Almost tangible suspense and minimalistic music of Brian Eno make this picture a must-see for movie buffs. I am not a murderer.
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That was another misstep. Supposedly an existential thriller. Breaking news, existentialism is based on having to stare at a wall in mandatory silence for two minutes before anyone introduces themselves. It's a living hell in places. By the time you feels like your prayers have been answered and some dialogue comes in, even that drags on like a cancer. But don't worry, you won’t learn anything from it. It's really brutal. Although it’s not lacking in atmosphere, so two stars is going to have to be enough.
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