Rendező:
Ridley ScottOperatőr:
Dariusz WolskiZeneszerző:
Harry Gregson-WilliamsSzereplők:
Lady Gaga, Adam Driver, Al Pacino, Jared Leto, Jeremy Irons, Jack Huston, Salma Hayek, Alexia Murray, Vincent Riotta, Gaetano Bruno, Camille Cottin (több)Streaming (3)
Tartalmak(1)
A Gucci-ház megdöbbentő igaz történet a Gucci olasz divatház mögött álló családi birodalomról. Szerelem, árulás, hanyatlás, bosszú és végül gyilkosság szövi át azt a három évtizedet, ami során kiderül, mit jelent, s mennyit ér egy név, és meddig hajlandó elmenni egy család, hogy mindent uralma alá hajtson. (Fórum Hungary)
Videók (11)
Recenziók (12)
Közepesen szórakoztató film, és ez csak a színészek túljátszásának köszönhető, ami aligha tekinthető előnynek. Mintha Scott szándékosan nem tartotta volna őket szorosan, hogy felkavarják a dramaturgiailag gyenge anyag stagnáló felszínét. Pontosan a drámaibb (szintén valós eseményeken alapuló) téma, a feszültséggel teli elbeszélés és a jobb "rosszfiú" miatt jobban tetszett A világ összes pénze című filmje. Jeremy Irons és Al Pacino voltak az egyetlenek, akik itt boldoggá tettek. És a vége felé természetesen Camille Cottin.
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A superficial ride on the cheap tinsel of fashion mafiosi, which wallows in its own pompous chauvinism, but never once gets under your skin. Scott is a great man. For one hundred and fifty minutes he blows out the candles on a birthday cake sovereignly like Aldo, and you'll even forgive the shortness of breath. But when it's all over, you'll feel a little disappointed that a showrunner who wasn't afraid to push the characters through something deeper for eight up to ten hours didn’t take up the mantle.
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The storytelling is mostly mediocre, House of Gucci is mainly driven by the actors. It looks to me as if Ridley Scott came on the set and said "well, now you all play what you want, improvise as much as you can, but don't forget to pull the strongest Italian accent you can". And strangely enough, it usually works. Also, the make-up artists do a great job as always in Ridley's ensemble, because, for example, I recognized Jared Leto through his make-up after about an hour. If I had to choose between The Last Duel and House of Gucci, I would choose the historical drama, which is more focused, with a more honest, sensitively and carefully crafted story that leaves a stronger emotional impact. In the case of House of Gucci, what warms the viewer's heart the most, apart from the aforementioned actors, is perhaps only the great cinematography and the brilliant design of the costumes and interiors, which, of course, the filmmakers polished to the smallest detail as befits and belongs to an icon of luxury and glamour.
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While many American directors struggle to create something truly great or original these days, 84-year-old Ridley Scott managed to do it twice in one year. House of Gucci might seem like just a fashion drama on the surface, but there's a lot more to it. The film is packed with extravagant performances, a dark tale of an Italian family, confident direction, and a fantastic atmosphere that immerses you in Italy. The period-perfect soundtrack, including tracks by the legendary Giorgio Moroder, adds to the film's appeal. Sure, some moments in the script fall flat, but the cast more than makes up for it. Lady Gaga dominates the screen, Al Pacino reminds you why he’s a legend from the old gangster films, Jared Leto is almost unrecognizable in his role, and Adam Driver brings a stern intensity to his character. There's definitely plenty to enjoy here.
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Ridley Scott has a weaker moment and although this film is not completely bad, in my eyes it's his weakest work in the last five years. The story is quite interesting, but the execution is a bit bland and uninteresting. We follow the Gucci family and I was kind of hoping it would be a gangster movie, but it's more of a drama. The acting is solid. Adam Driver as Scott's new tagalong is decent, Lady Gaga is solid, Jared Leto was bit too theatrical for my taste, but the make-up was unreal, and Al Pacino was okay, except for the Italian accent, that bothered me a bit. I found the direction a bit cold and for the exorbitant 150 minute running time, the film offered very few interesting or attractive scenes. I didn't even care much about the fashion. Considering the subject matter, the actors and the director, I was expecting a film at least a level higher in all respects, but I got through it without too much trouble and I think three stars is adequate.Story 3/5, Action 0/5, Humour 0/5, Violence 1/5, Fun 3/5 Music 3/5, Visuals 4/5, Atmosphere 3/5, Suspense 2/5, Emotion 2/5, Actors 4/5. 6/10.
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