Rendező:
Don SiegelForgatókönyvíró:
Albert MaltzZeneszerző:
Ennio MorriconeSzereplők:
Shirley MacLaine, Clint Eastwood, Alberto Morin, Armando Silvestre, José Ángel Espinosa 'Ferrusquilla', José Torvay, Enrique Lucero (több)Tartalmak(1)
Hogan a Vadnyugat kietlen sivatagában megmenti Sara nővért három banditától, akit üldöz a francia lovasság is, mert pénzt gyűjtött a mexikói hadseregnek. A nővér az egyik francia erődhöz tart, hogy eljuttassa a pénzt a mexikói ellenállóknak. Hogan, aki szintén a mexikóiak megbízásából dolgozik, Sara-val tart, hogy megszerezze a francia sereg vagyonát. Ám csak egy hetük van, hogy az erődhöz érjenek és megszervezzék a támadást. Míg Hogan keményen írtja a francia katonákat, Sara nővér is megmutatja igazi arcát… (Prime)
(több)Recenziók (4)
As I delve into classic westerns, I'm constantly amazed by how the filmmakers of the time could create such unexpected and fantastic duos. Today’s filmmakers could certainly learn a thing or two. In this gem, the rugged Clint Eastwood teams up with the mischievous nun Shirley MacLaine, who’s not above sneaking a swig of rye. The plot is straightforward but perfectly suits this quirky pair. The sarcasm flows as freely as whiskey from a bottle. And of course, it’s all set to the perfect score by Ennio Morricone. What more could you want?
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I wouldn't be angry at all if it was a bit shorter, but the spark between Shirley and Clint is so strong that it's surprisingly enough for a good experience in itself. And that is even without a proper plot. And with a traditionally brilliant Morricone.
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Clint robbing dead bodies while humming a merry tune, a nun who drinks a bit too much and a great western. The brilliant one-liners during the verbal exchanges of the incongruous duo and the ever-perfect Ennio Morricone make this movie an entertaining and inventive watch.
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Not that I'm crazy about Westerns, but I do enjoy the ones with Clint Eastwood. This one was a little different; the filmmakers were going for a more humorous take on things, and those expecting a lot of shoot-outs would end up sorely disappointed, except for the ending. I enjoyed the film even the second time around (except for a few minor issues). Clint Eastwood was badass as Hogan, Shirley MacLaine was cute as Sara, and Ennio Morricone reminded me once again of how much I love his scores. I was certainly satisfied, and I stand by my original rating.
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