Rendező:
Aneesh ChagantyOperatőr:
Hillary SperaZeneszerző:
Torin BorrowdaleSzereplők:
Sarah Paulson, Kiera Allen, Onalee Ames, Pat Healy, Carter Heintz, Sara Sohn, Clark Webster, Conan Hodgkinson, Erik Athavale, Bradley SawatzkyStreaming (1)
Tartalmak(1)
Úgy tartják, az anyai szeretet elől nincs menekvés… Chloe (Kiera Allen) számára ez azonban semmi jót nem jelent. Anyjával (Sarah Paulson) való kapcsolatában van valami természetellenes, még inkább baljós. Diane a lányát teljes elszigeteltségben neveli, születése óta minden mozdulatát felügyeli. És vannak titkok, amiket Chloe csak most kezd el felfedezni. Amikor anyu kissé túl közel kerül, FUSS! (Big Bang Media)
(több)Videók (3)
Recenziók (11)
A "Rossz anyák" sorozat 50 perces epizódjaként a Fuss film hasznosabb lett volna. Játékfilm létére teljesen hiányzik belőle a szereplők és a kezdetben egészséges anya-lánya kapcsolatuk bemutatása. Ez rögtön a gyanakvással és a bizalom aláásásával kezdődik. Pszichológiailag a film gyengén működik, csak a klasszikus műfaji sablonokat követő izgalmas jelenetek húzzák előre. Nem unalmas, de nem aknázza ki a benne rejlő lehetőségeket.
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It wasn’t until I started watching that I realized this was a remake of a year-old American series, The Act, which honestly baffled me. Americans remaking their own films? Anyway, it’s decent — Sarah Paulson absolutely deserves the attention; she’s fantastic as always. But overall, this is a textbook example of a film that didn’t really need to be made.
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A very good King adaptation, but one that is not by King. The film is gripping, and the performances of the reliably great Sarah Paulson and debutant Kiera Allen contribute to this, as does the brisk script with no room for boredom, or the direction, which doesn't need lavish shots and makes the most of the minimum by perhaps "only" showing us an important thing a few seconds later than the protagonist.
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Earlier this year I saw the nicely edited trailer for Run, the story looked familiar and predictable, but the name of Aneesh Chaganty, the director of the excellent Searching, made me believe in it, and I told myself: “I’m sure he’ll come out with a shocking twist, it’ll be great, like his début”. But alas. Run is well made, it’s tense and with good performances and it makes you invested in the heroine, it’s also well written, so the behaviour of the characters doesn’t make you shake your head in disbelief, but what’s the point when it all goes exactly in the direction that everyone can figure out already after reading the synopsis or watching the trailer. It still deserves thumbs up, though, everything is where it should be, but that’s all there is to it, and it’s not enough if we consider the sum of all the talent on screen.
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I was really looking forward to Run and I'm satisfied, the only thing that disappoints me is that a lot of interesting scenes from the trailer were cut in the film for unknown reasons. However, of the pure thrillers this year, Run is undoubtedly one of the best. The film is built around two female characters, who are played to perfection. Sarah Paulson and Toni Collette are perhaps the only female actresses I like because of how they act and not because of their looks, and here they give their typical psycho performance that is more than a little unnerving. Kiera Allen as the daughter is also very believable and above all intelligent. I liked that Run doesn't wait for much and builds up an uncomfortable atmosphere from the start. There are some solid twists and interesting ideas, I was constantly in suspense as to how it would all play out, and I'm pleased with the denouement as well. Aneesh Chaganty has once again made a decent film. I had a great time. Story****, Action>No, Humor>No, Violence**, Entertainment****, Music****, Visuals****, Atmosphere****, Suspense****. 8/10.
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