Rendező:
Chloé ZhaoForgatókönyvíró:
Chloé ZhaoOperatőr:
Joshua James RichardsZeneszerző:
Ludovico EinaudiSzereplők:
Frances McDormand, David Strathairn, Linda May, Swankie, Bob Wells, Peter Spears, Cat Clifford, Tay Strathairn, Gay DeForest, Patricia Grier, Angela Reyes (több)Streaming (3)
Tartalmak(1)
Az egyetlen cég által ellátott nevadai kisváros gazdasági összeomlását követően Fern (Frances McDormand) mindent bepakol furgonjába és elindul, hogy modern nomádként a hagyományos társadalmon kívüli életet folytasson. Chloé Zhao rendező harmadik játékfilmje, A NOMÁDOK FÖLDJE valódi nomádokat (Linda May, Swankie és Bob Wells) vonultat fel Fern társaiként, amint Amerika nyugati felének végtelen vidékeit rója. (Fórum Hungary)
(több)Videók (8)
Recenziók (10)
Not the first time I can't appreciate an Oscar winning film. Personally, I have a soft spot in my heart for nomads, but that's not the point. Because Nomadland comes across as a documentary at times, it forced me to form an opinion about things that have nothing to do with the film. Cinematically, it's perfect by all accounts. Breathtaking shots of nature, sensitively portrayed loneliness and longing at the same time, very nice music, sound, editing. Beautiful, but unfortunately I can’t help at least partly judging how I like the specific way these people live, what they do and say, and so on. And that inevitably plays into my overall impression of the film. But the determination to go against the grain is beautiful and in its own way uplifting. So is the appreciation of nature and putting people above real estate.
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Nomadland is one of those films where the sound is solid, the visuals are stunning, but the acting feels a bit indifferent. While watching, I found myself reflecting on American nomads. In contrast to the campfire songs we associate with freedom and relaxation, for these nomads, it’s more of a survival mechanism—a way for people on the fringes of society to escape urban life and find solitude. Frances McDormand, as always, delivers a great performance, but the truth is, there wasn’t much for her to really sink her teeth into.
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Nomandland has come out of the festival circuit with the reputation of one of the best films of the year and a clear Oscar favourite, something that may generate expectations impossible to meet for some people. For me, it’s a very decent drama with a superb Frances McDormand, but I can’t say it stands out in any significant way from many other decent dramas. On the other hand, it’s clear that, in terms of social relevance, it will surely resonate more in the US than here. 7/10
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An empathetically constructed carefree romp where everyone can find themselves at different spots. A little melancholic, a little contemplative, lots of thinking about death and the futility of human effort. And even though everything has already been more or less successfully explored in other independent works of self-discovery, Frances McDormand is so down-to-earth and "yours" that you have no defense, and with every solitary sunrise, she pricks your heart a little bit again.
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A fragile, subtle social drama that resonated with me in a similar way as its indie brother The Florida Project did years ago, which I actually found more distinctive and more interesting. But even so, I had no problem empathising with Fren's nomadic fate and sometimes, in my late fifties, when everything at work pisses me off, I'd pick everything up and move to Kořenov in the Jizera Mountains, in the middle of beautiful nature :o) I really envied her unbridled freedom sometimes, and the nice people around her, you don’t get that in our country. Still, I have a nagging feeling that the Oscar buzz around this film is a testament to how poor last year was cinematically. In other times, in fatter years, Chloé Zhao would have collected awards only at Sundance, but now she can dream of golden baldies in her covid nightmare.
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