Rendező:
David LynchOperatőr:
Freddie FrancisZeneszerző:
Angelo BadalamentiSzereplők:
Richard Farnsworth, Sissy Spacek, Joseph A. Carpenter, Everett McGill, Harry Dean Stanton, Kevin P. Farley, Tracey Maloney, Donald Wiegert (több)Tartalmak(1)
Alvin Straight 73 éves özvegyember, aki beszédhibás lányával, Rose-zal éldegél az Iowa állambeli Laurens városkában. Afféle régimódi cowboy, saját értékrendje és erkölcsi kódexe szerint élő vadnyugati figura. Büszke és makacs, orvoshoz menni sem hajlandó, noha egészségi állapota rohamosan romlik, rossz a dereka és tüdőtágulása van. Telefonon értesítik, hogy fivére, Lyle szívszélhűdést kapott, mire Alvin elhatározza, hogy meglátogatja őt Wisconsin állambeli otthonában. Se kocsija, se jogosítványa - a fűnyíró gépe az egyetlen közlekedési eszköz, ami szóba jöhet számára. 350 mérföldes út áll előtte. (Best Hollywood)
(több)Recenziók (9)
This is the David Lynch I admire and respect. A recital by the incredibly likeable Richard Farnsworth, whose character is etched deeply, deeply into my heart and memory. This is one of the most beautiful, moving, and best made films I've ever seen (and not just among road movies). Visually and musically captivating.
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Not only the most beautiful road-movie I have ever seen, but also a moving film about the autumn of life that inevitably awaits each of us and about brotherly love, for which even failing health and an uncomfortable journey on a tractor over great distances is no obstacle. Even very ordinary things can be extraordinarily beautiful when presented in such a sensitive way. David Lynch is a very wise man...
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Excellent. Like Lynch’s films, it relies on feelings, you have to live the events together with the protagonist. There are sad moments and happy moments, but most of the time it’s pleasantly sentimental. Another thing worth pointing out is the music score, which improves wonderfully what would otherwise be long and boring scenes, making them a lot more than just bearable. One reliable indicator of how much I’ve enjoyed a given film is how willing I am to let the final credits roll, and here I happily watched the whole lot of it…
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Quite atypical Lynch, at least in terms of surface touch... A captivating story about a stubborn grandfather who one fine day grabs a tractor and takes a long ride through the world to reconcile with his brother. The typical road movie form in Lynch's hands is not boring at all, the sequence of poetic and funny stories has enormous inner strength, and the cheerful wisdom of an old and gnarled man, played brilliantly by Richard Farnsworth. But there are also traditional "Lynch" hallmarks (the deer scene) in the film. Pleasant, smooth, poetic. A beautiful film.
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We can hide from the most essential and innermost connections for as long as we want, but they will eventually catch up with us. David Lynch attacks exactly these bonds – and successfully. He captivatingly unfolds the story of one man with interesting supporting characters around him, allows the viewer to relax, lets the story flow, and even makes fun of himself (the crawling yellow lines). The only passage where the story loses its charge is the lawnmower repair with "kind strangers", where Alvin struggles not with family disagreement, but with a distant trauma, which didn't fit well with the rest of the story. Even so, The Straight Story emotionally affected me a lot and deserves praise for this surprise.
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I would like to have been in the movie theater during the premiere of The Straight Story and instead of watching the events on the screen, I would have preferred to observe the hesitant gazes of the enthusiasts of Lynch's surrealist tricks and perverse images. I knew essentially what I was getting into and I didn't expect any surprises, but I am somewhat surprised by the high ratings and uncritical comments. I have nothing against the intention to shoot a story about the importance of family cohesion and clearing out old skeletons from the closet, but the film has a pace that corresponds to riding a lawnmower, and truth be told, those almost two hours drag on. Moreover, in terms of plot, it is somewhat thin and for example, About Schmidt, which has significantly lower ratings, seemed to me several classes better and more enjoyable. My overall impression is somewhere between 2 and 3 stars, but with such a highly acclaimed film, I will lean towards the lower rating, which amounts to 45%.
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Lynch matured with this film. After all, it is impossible to consider it an experiment from a filmmaker who could not at the same time master the craft in its classical form and also manage to grapple with the most refined challenge, i.e., pathos.
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A beautiful story about an elderly gentleman deciding, in his old age, to embark on a journey to visit his brother who had a stroke. Both brothers don't have the best relationship and haven't seen each other in a long time, so Alvin's journey is a personal catharsis. This really isn't your classic David Lynch movie, but thanks to how easy it is to understand, and how it presents human destinies with strength but without sentimentality, you can watch a unique film that, within an hour and three-quarters, shows how beautiful and terrible life can be. Whether we want to deal with it or not, old age is out there waiting for us. But old age doesn't mean we stop living; it just means it might hurt more.
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It's not often that a director like David Lynch can move an audience to tears (except for Elephant Man, of course). The Straight Story is such a sensitively and, above all, civilly told story with beautiful music that not one of my eyes remained dry. An excellent Richard Farnsworth in his final role.
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