„Čtyři vraždy stačí, drahoušku“
Rendező:
Oldřich LipskýOperatőr:
Jiří TarantíkZeneszerző:
Vlastimil HálaSzereplők:
Lubomír Lipský st., Jiřina Bohdalová, Iva Janžurová, Marie Rosůlková, František Filipovský, Jan Libíček, Josef Hlinomaz, Karel Effa, Lubomír Kostelka (több)Tartalmak(1)
George Camel középiskolai tanár egy hullát talál a szobájában. A rendőrség természetesen őt gyanúsítja a gyilkossággal, annál is inkább, mert a tanár úrnál ezután mindennapossá válik, hogy az ajtó mögül kizuhan valaki - késsel a hátában. (Örökmozgó)
Recenziók (6)
I love this film and it is one of the most sympathetic representatives of the Czech crazy comedy genre, which amusingly parodies Western gangster films. Thanks to the cast, director Lipský made use of Bohdalová's and Janžurová's natural comedic talent and the perfectly cast Lubomír Lipský in the role of the naively trusting George. The chaos that ensues has not become boring to me even years later despite all the reruns. In the last third of the film, the energy somewhat dwindles, but the overall impression still packs a punch and amounts to an overall impression of 90%. Although catchphrases are not a measure of a film's quality or popularity for me, here I thoroughly enjoy them.
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A rather charming comic comedy whose style builds on Who Wants to Kill Jessie? This time, however, in color. Kája Saudek's poetics are great and still functional today. However, some doubt arises about the acting mannerisms of Rosůlková, Bohdalová, and Janžurová, which go beyond the fine yarn of parody. It would be interesting to compare this Czech version with the Yugoslavian film Mrtvima ulaz zabranjen, which adapted Nenad Brixy's famous novel in 1965.
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This incredibly crazy film is one of those that should be the envy of the whole world and for which our little republic should be known as one of the most productive and original hatcheries of comedy and parody films on Earth. Every actor, every line of the script, every film window, every Saudek drawing, every Hála note... Everything is just SO perfect and it doesn't get boring even after the thousandth viewing.
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A unique film. Amazing actors, unforgettable gags and probably the highest body count that has ever fell through the doors of Czech cinema. Oldřich Lipský was awesome, although he would be surpassed a few years later by the Svěrák-Smoljak duo.
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I have always had a soft spot for Oldřich Lipský’s parodies. I really like American movies about organized crime, so if someone can ridicule them in such a great way, I can hardly be disappointed. Plus, Kája Saudek took care of one of the most dramatic car chases in film history, and I had a blast.
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I only got around to watching the film after such a long time because Kája Saudek did a lot of drawings related to it. I'm glad I finally saw the film because it's a beautiful example of how the Czechs could make entertaining movies that also have a story that works and makes sense, even if it's a bit quirky.
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