Operatőr:
Robrecht HeyvaertZeneszerző:
Lorne BalfeSzereplők:
Will Smith, Martin Lawrence, Vanessa Hudgens, Alexander Ludwig, Paola Nuñez, Ioan Gruffudd, Jacob Scipio, Melanie Liburd, Rhea Seehorn, Eric Dane (több)Streaming (3)
Tartalmak(1)
Jerry Bruckheimer producer legendás akcióvígjátékok sorát készítette (A Karib-tenger kalózai, A nemzet aranya, A Sólyom végveszélyben, Armageddon és még sok mást), de a legnagyobb találmánya valószínűleg a Will Smith és Martin Lawrence párosával kitalált Bad Boys, ami az elképesztően látványos, őrült akcióival és még őrültebb poénjaival írta bele magát a filmtörténetbe. Hosszú várakozás után újra megbizonyosodhatunk róla: a Rosszfiúk egyre jobbak! (InterCom)
(több)Videók (7)
Recenziók (7)
A harmadik film meglepett frissítő forgatókönyvvel, amely új erőt adott a szériának. A Joe Carnahan közreműködése nélkül készült negyedik film forgatókönyve pedig kezd lejjebb adni. Erőltetett poénok és átlagos cselekmény, rutinszerű akció egyetlen emlékezetes jelenet nélkül. A helikopteres jelenet túlzásba megy, mintha a Halálos iram szériából esne ki. Bay akciójának ragadozó és kifinomult jellege már a múlté. De Bay egy felvételen megjelenik, DJ Khaled pedig egy egész jelenet erejéig, és a központi páros még a jó poénok nélkül is menő. A nosztalgia, amit Mark Mancina zenei témája és a Miami felhőkarcolókkal, karibi tengerparttal és pálmafákkal tarkított környezete is támogat, egyszerűen működik. A fiatal Reggie pedig rulez!
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A repeated joke is no longer funny, and that applies to the Bad Boys franchise, too. The third one was an interesting refresh after all those years, it had sleek slick visuals, cool Will Smith and Martin Lawrence in their 50s, and surprisingly solid action. The fourth one, however, already looks like a fluffy TV movie, recycling or even ripping off moments from previous episodes. Remember the bayou scene from the visually nasty second one, where the camera pans back and forth across the room during the shootout ? Almost a carbon copy of a scene in the fourth one, and there's more. The best moments are saved by minor and not very important characters, like the young marine or Captain Joe Pantoliano. The third film made sense, the fourth is completely unnecessary. I hope this franchise finally retires.
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Mike and Marcus are back, and since the captain calls from beyond the grave to tell them he has another case for them, they won't be bored. But you might be a little. The fourth outing of the Bad Boys attempts to build on previous installments not only in style, but more importantly in story, and sometimes overdoes it with the nostalgia, references and recalling small details from twenty years ago. The heroes haven't moved anywhere, they repeat what they've always done, just with a lot of new completely useless characters and the most boring villains of the series around them. The action, however, is top-notch. It just needs a little more care next time, even in the scenes where no one is shooting at anyone.
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For me, the best episode of the franchise. It's not as unbearably loud as the first one, nor as visually aggressive as second one, or as shallow in plot as in the third one, which bordered almost on a Mexican soap opera. It has proper with, unexpectedly funny scenes, good visual ideas, and during action scenes the camera circles the space in an interesting way and chooses unconventional angles. And the biggest surprise is the one I least expected it from. Martin Lawrence may still be a pain in the ass, but holy wonder, he's funny here too. Starting with the unwanted "visit to the beyond" the goofiness and his sort of messiah complex make sense and I just enjoy the dude as an actor, unlike, say, the king of awkwardness Kevin Hart. The only one who spoils it a bit is the character of Will Smith's son, the youngster just can't act and in all the scenes he looks equally impassive, as if he's not even enjoying it.
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If you like this series, if you liked the third part, you should be satisfied here too. It's not a significant shift in quality, it's just a standard solid action comedy, where the mutual banter between Martin Lawrence and Will Smith works, but above all it's pulled by well-done action, which at times takes your breath away. Adil el Arbi and Bilall Fallah know their job. There are nice Miami visuals, a decent bad guy played by Eric Dane (Euphoria), decently brutal R-rated action with engaging camera forays, top visuals, some twist and turns and working one-liners. The whole film paces well with no deaf spots and it's exactly the right action entertainment that's missing in cinemas and you can take anyone to see it. If you expect a film with a well thought out plot, you won't be satisfied here, but if you know what to expect from a film, you can't be disappointed. 8/10.
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