Rendező:
Thea SharrockForgatókönyvíró:
Jojo MoyesOperatőr:
Remi AdefarasinZeneszerző:
Craig ArmstrongSzereplők:
Emilia Clarke, Sam Claflin, Stephen Peacocke, Janet McTeer, Charles Dance, Matthew Lewis, Samantha Spiro, Brendan Coyle, Jenna Coleman, Vanessa Kirby (több)Streaming (2)
Tartalmak(1)
A szerelem gyakran ott talál ránk, ahol a legkevésbé számítunk rá. Néha pedig olyan helyekre juttat el bennünket, amiről sosem gondoltuk volna, hogy valaha látni fogjuk. Louisa "Lou" Clark (Emilia Clarke) egy különös házban él Anglia egyik vidéki részén. A 26 éves nőt mindenki kreatív különcnek ismeri, aki nem igazán tud mit kezdeni az életével és egyik állásból a másikba sodródik, hogy összetartó családját kisegítse. Bár jellemzően optimista természetű, hatalmas próbatétel elé állítja az élet, amikor elvállalja legújabb munkáját. A helyi kúriában kell gondját viselnie egy fiatal, gazdag bankárnak, Will Traynornek (Sam Claflin) aki két évvel korábban egy baleset következtében kerekesszékbe kényszerült. A régebben kalandvágyó Will mára fásult, cinikus emberré változott, aki már csaknem feladta a küzdelmet. Azonban Lou elhatározza, megmutatja neki, hogy miért érdemes élni. Egy sor közös kalandra indulnak és végül Lou és Will is azt veszi észre, hogy többet kaptak,mint amire számítottak, ahogy az életük – és a szívük – nem várt módon változik meg. (Fórum Hungary)
(több)Videók (14)
Recenziók (10)
The books by Jojo Moyes all present themselves as significant bestseller events. They have a unified design and are very popular. Unfortunately, they are just empty kitsch, similar to Nicholas Sparks and a million others. The film adaptation doesn't offer much either, just depicting typical tear-jerking situations. If I am to be moved, I prefer it to be by a quality film; for example, Guzaarish is one such option.
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It's stumbles at times, but it cracks you up and can make you cry. Surprisingly, it wasn't as superficial as I thought it would be. Absolutely all of the characters in the film tried to live as best they could as best they could (even if it might have meant death in one case). It was good to watch, it moved along quite nicely, and I liked the music because it was so familiar. No one was exaggerated into caricature. A simple story about love and how it's good to live if you can live. 75%.
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Nice. Compared to the untouchable The Intouchables, it’s is a bit too cloying and childish in an American way, with a clear-cut course and an ending adapted to the popular romantic trend (when will filmmakers finally get rid of the need to "deepen" emotionally impressive moments with wannabe touching songs?), but otherwise a terribly nice and likeable film about the need to help others, even if they don't ask for it out loud. Emotionally balanced, ranging from pleasant humour and irony to depression stemming from the hopelessness of life's situation and, except for the last few minutes, smoothly narrated and generally uplifting – especially thanks to the lovely Emilia Clarke, who emerges as a character capable of lighting up any scene with her mere presence and smile – Rachel McAdams has a serious (but welcome) competitor :-) 80%
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Fantastic relationship drama. It's not as complex and fateful as, say, The Age of Adaline, but Emilia Clarke plays perhaps the most likeable dumb girl under the sun, and that's not at all a bad thing. An emotional charge par excellence. Don't worry about whether it's realistic or not, just enjoy the show. And since we are in a time when all genres have to be super-clever and super-based, ideally conceptually groundbreaking, or at least innovative, this fresh old-school romance feels a bit like a revelation from another world. It's not really innovative in any way, it's just exquisitely polished and shot with care and feeling.
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A very nice, positive and likeable romantic movie that is bound to please not only ladies, but guys as well. And that’s in spite of the fact that at first I had a big problem with Emilia Clarke at the beginning because of the way she made faces into the camera. But gradually I came to understand that all her grimaces were intentional and I really grew to like her. I think I will actually call her Jim Carrey in a skirt from now on because the things she can do with her eyebrows have no match among other actresses. She was really terrific. Well and Sam Claffin does a pretty nice job as well even though his role confines him into a wheelchair. Surprisingly, all this is enough for the movie to imbue your psyche with a wave of positive, melancholic, even sad emotions. Simply put, exactly what you were expecting when you decided to go see this movie.
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