Rendező:
Peter WeirOperatőr:
Russell BoydSzereplők:
Russell Crowe, Paul Bettany, Billy Boyd, James D'Arcy, Edward Woodall, Chris Larkin, Max Pirkis, Jack Randall, Max Benitz, Lee Ingleby, David Threlfall (több)Streaming (3)
Tartalmak(1)
A napóleoni háborúk idején támadás éri a Surprise nevű angol hadihajót. A csatában a hajó súlyosan megrongálódik, és a legénység tagjai közül is sokan megsebesülnek. Jack Aubrey kapitány kétségek közt vívódik. Nem tudja eldönteni, hogy barátjára, Stephen Maturin hajóorvosra hallgasson, vagy inkább a kötelességét teljesítse, és harcoljon. Végül mégis útra kel, hogy két óceánon keresztül üldözze, utolérje és legyőzze francia ellenfelét. A küldetés megalapozhatja hírnevét, vagy elpusztíthatja őt és a legénységét is... (Mozi+)
(több)Videók (2)
Recenziók (11)
Bármit is vársz, valami mást fogsz kapni. A Kapitány és katona: A világ túlsó oldalán film olyan, mint James Ivory a vízen. Nagyfilmes sztori, akció és nagy hősök nélkül. Pszichológiai kirándulás a régi hadihajó legénységének életébe, személyes konfliktusaikba és a kötelező szabályokba. Egy háborús film legjobb jelenete egy sikeres záró csata lenne. Itt egy sebesült orvos bogarakat gyűjt egy trópusi szigeten. Csodás kamera, amely a karaktereket tucatnyi részletgazdag árnyalatban ábrázolja. Russell Crowe megjelenik a vásznon, és azonnal imádod. A többi főszereplőhöz pedig olyan kapcsolatot alakítasz ki, mintha évek óta ismernéd őket. Peter Weir egy különleges rendező.
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I can't remember the last time I found out before the movie climaxed that I had barely been breathing. It had to be a long time ago, and it had to be for a movie similar to Master and Commander. This is a wonderful callback to old times, robust filmmaking with a clear vision, precise leadership and superbly put together dramatic layers. Peter Weir has commanding skills and the steadfastness of captain Jack, but he also remains an analytical observer like Dr. Stephen. The way individual characters are built, and the way chemistry is maintained by the crew, should be in a cinematic tactics textbook. In a few minutes, a person is on board and participates in a cruise that is both informative, exciting and emotional. Moreover, Weir's typical dualities of small and large universes are reflected here, when war, politics, and science are all reflected in the relationships and conversations of the characters, without the film sliding into any exaggerated philosophizing. Everything's just right, and the dust won't get wet despite the thunderous runtime. This blew off my main mast. Huzzah! (and the second part, from what Peter Weir told us, is not utopia).
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Thanks to the engaging filmmaking and realistic setting, I can safely say: I was there with them. On the ship during the storm, during the battles and during the moments of relaxation, and I was not bored at all. In the opening battle I was thrown into the whirlwind of the action, with blood, sweat and tears at my fingertips, during the scene with the crashing my ship was being tossed from side to side, and on the Galapagos I relaxed with the Doctor to the strains of the double bass and it was enjoyable. If Weir wanted to show a detailed portrait of life on an English battleship, he succeeded. If he wanted to make an adventure story, he certainly didn't miss. And certainly not with this select ensemble of actors. I believed Crowe and Bettany and their captain and doctor, respectively, every second. And by the way, do you want to know how a scarecrow can help win a naval battle? Then don't hesitate with this film.
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A perfect combination of artsy chamber piece focused on characters and “how things worked on those beautiful vessels with sails" with a simple adventure for boys about friendship and duties like out of a dime novel you read secretly during lessons. Despite having nothing whatsoever to do with the equally marvelous book the movie is based on (this is more a mixture of the first and third book with a bit from the tenth book in the Aubrey and Maturin series), this is a simply wonderful movie in its sense for historical precision, characterization of characters or nods for readers (Jack’s missing earlobe, letters to Sophia, Maturin’s “floral" waistcoat etc.) And technical aspects keep step with the content - they are the highest possible standard. The only thing that disappoints me is the non-existence of a director’s cut. As a whole twenty-four minutes of cut scenes demonstrates, not just ballast, but much high quality material was left out of the final cut.
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I can't even believe how sensitively such a one-sided issue can be portrayed. For two hours, I wanted to serve on the HMS Surprise under the perfect captain Russell Crowe and fight for England. It's a shame that the script can't match Peter Weir's fantastic directing and sometimes slips into completely unnecessary twists, like in the case of the superstition about Jonah.
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Galéria (40)
Photo © 2003 20th Century Fox
![Kapitány és katona: A világ túlsó oldalán - Forgatási fotók](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/160/163/160163209_bb1663.jpg)
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