Rendező:
Jessica HausnerForgatókönyvíró:
Jessica HausnerOperatőr:
Martin GschlachtZeneszerző:
Nicolas Tran TrongSzereplők:
Birte Schnoeink, Christian Friedel, Stephan Grossmann, Marc Bischoff, Sebastian Hülk, Sandra Hüller, Katharina Schüttler, Gustav Peter Wöhler (több)Tartalmak(1)
Berlin, a romantika kora. Az ifjú költő, Heinrich a szerelem által próbálja különös módon legyőzni az elkerülhetetlen halált, de nem sikerül szkeptikus unokanővérét, Marie-t bevonnia öngyilkossági tervébe. Megpróbál felülemelkedni Marie érzéketlensége feletti elkeseredésén, amikor véletlenül megismerkedik Henriette-tel, aki egy üzletfelének a felesége. Heinrich ajánlata eleinte vonzónak tetszik a fiatalasszony számára - de csak addig, amíg halálos betegségére fény nem derül. Az Amour fou romantikus film, amelyet Heinrich von Kleist 1811-ben elkövetett öngyilkosságának története ihletett. (CirkoFilm)
(több)Videók (3)
Recenziók (3)
I liked the concept, I think it’s interesting, purposeful and stimulating. Hausner sticks to it so fiercely and persistently that at least half-way through it was already a soul crushing experience. And this despite the fact that I got the funny irony towards those useless human beings drowning in their own imaginary existential crises. Her previous film, Lourdes, was fun from beginning to end, but this one hurt.
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The title could not have been better chosen. Right from the start, however, I suspected that this would be a spectacle for the strong-minded. It was hard to get through the killing monotony until the end. However, one cannot deny a certain charm to this film spiced up with a considerable dose of irony. At times, I felt like I was watching a puppet theater, and even the attire of the characters seemed to suggest so, perhaps emphasizing Jessica Hausner's indictment of the society of that time. In contrast to the individual static scenes, a large dog occasionally appeared in the frame, which at certain moments drew attention to itself a bit inappropriately. I was literally fascinated by the persistent, at times almost unbearable musical prelude, and during the closing credits, not a single note was heard. Oh, the irony of it all! There are probably many more peculiarities and subtle nuances, but that would take several viewings and I lack the patience for that. I think I enjoyed the film abundantly even without it. (60%)
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It's an interesting story set in an unexpected setting, although it's true that the period makes it work a little differently than it would in the present day. Nevertheless, I can't help but feel like the film relies on a certain caricature as if it's all just a dramatic pose that ultimately doesn't work.
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