Rendező:
Leigh WhannellForgatókönyvíró:
Leigh WhannellOperatőr:
Brian PearsonZeneszerző:
Joseph BisharaSzereplők:
Stefanie Scott, Dermot Mulroney, Lin Shaye, Leigh Whannell, Angus Sampson, Steve Coulter, Hayley Kiyoko, Corbett Tuck, Tom Fitzpatrick, Ele Keats (több)Streaming (3)
Tartalmak(1)
A démonok köztünk élnek. A félelmeinkből táplálkoznak, a titkaink tartják őket a közelünkben. A régi szorongások testet öltenek és visszatérnek: a Lambert család – melynek tagjai az Insidious – A gonosz háza című sikerhorrorban mindent elkövettek, hogy elvágják azokat a kötelékeket, melyek nem eresztették őket a szellemvilág közeléből. Ez a film a múltjukat mutatja meg. Ám nem ők a film hősei, hanem azok a kísértetvadászok, akik segíteni próbáltak rajtuk. A látó Elise Rainer és segítői, Specs és Tucker újra színre lépnek, és egy megszállott kamaszlánynak próbálnak segíteni. De ehhez át kell merészkedniük a túloldalra... (InterCom)
(több)Videók (16)
Recenziók (7)
Intenzív ijesztgetések attól a csapattól, aki a legjobban tudja megcsinálni. A Blum House a horror számára ugyan az, ami a Pixar az animációs filmek számára. De a finálé gyenge, és a cselekmény sémája, beleértve az egyes jeleneteket is, csak a múltbeli dolgok újrahasznosítása. Emiatt a leggyengébb a trióból.
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Gone is the ridiculous devil from the first one, gone is the overwrought plot from the second one and we have a solid (the weakest in terms of story = Who cares, it´s not a book bitches?) haunted house film, which this year will be rivaled only by Crimson Peak. The film has really a lot of jump scares, the last time I saw so many was in Drag me To Hell and I appreciate when someone goes full throttle (in exploitation films I want to see a lot of violence, in action films a lot of action, here again scares). The monotonous atmosphere reminiscent of a conservatory rehearsal is something nerds like, but for normal decent people the ned atmosphere is as annoying as the government. The film may feel cheaper than its predecessors, and the string accompaniment is not as thunderous as in The Conjuring, but the goosebumps, the chills down the back and the jumping out of your seat was inevitable (just as you can tell a good song by the goosebumps, so can you tell a horror film). Towards the end, I even shed a few tears with emotion, so the five star was decided. The biggest highlight is the passage through the Dalava, where the dead creatures are truly frightening – I'd love to see a horror film set only in this underworld. The oxygen masked villain is unbeatable, finally no pale girl with long black hair. Compared to the monotonous It Follows, this is a clear winner and the number 1 for the time being. 85%
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Well made, but no more than that. Where the first movie was innovative and the second was interesting in terms of story, the third one is routine and repetitive. Whannell honours Wan's work and manages to produce a satisfying amount of effective jump scares, but he rather overdoes it in the climax, and the final exorcism of is a recyclate of the shoddiest nature. Does it matter that it's nice to look at and that the cinematographer, director and composer all deserve praise when they have contributed to a film that nobody needed to see, given its predecessors? 65% for the intention and the honesty.
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I must admit that I had expected a loose but very similar sequel to the first two parts of Insidious. But it never occurred to me that I might be getting a film that knowingly pokes fun of all those monsters, demons and nightmares. It’s as if the movie took the Insidious name only to make fun of it and it got away with it without any problems. On the other hand, I was saying to myself whether I should cry about those illogical plot holes or whether I should simply enjoy scene after scene. You see once two guys with the punk image of ghostbusters burst into the teen horror halfway through, the movie gains a whole new unique dimension. On top of that, the technical side of the film isn’t actually too bad. All in all, this is a film that you can’t take seriously and that’s how you have to approach it.
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Solidly made, but this time unfortunately it’s an utterly uninteresting safe bet. The first one laid down the rules and introduced us to the Further and the second one expanded the story in an interesting way, but the third instalment just follows the path set by the trend in ghost/exorcism movies and doesn’t have anything that I didn’t already see in the previous two episodes, and better. For Whannell’s standards, the script this time is woefully unoriginal and unsurprising. Lin Shaye is still great, but she alone is not enough for a higher rating, especially if she lacks the support of the other stars, who unfortunately deliver weak performances. The demon is also great, but we don’t get to know much about it. The film is chock full of jump-scares – unfortunately, I must add, because they always erase any signs of an atmosphere. And the worst is that they go nowhere, the demon shows up, says Boo! and then leaves. Throughout the film I never felt that the heroes were in any sort of danger, that the creators will really let the demon kill them. A barking dog doesn’t bite. That’s probably the biggest complaint for a horror movie.
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