Rendező:
Jonathan FrakesForgatókönyvíró:
Michael PillerOperatőr:
Matthew F. LeonettiZeneszerző:
Jerry GoldsmithSzereplők:
Patrick Stewart, Jonathan Frakes, Brent Spiner, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, F. Murray Abraham, Donna Murphy (több)Streaming (4)
Tartalmak(1)
A Szövetség megalakulásakor a Napnál is világosabb utasítást adott az Elsődleges Irányelv: a Csillagflotta semmilyen módon nem avatkozhat be más civilizációk természetes fejlődésébe. Egy nap azonban Picard olyan parancsot kap, ami szöges ellentétben áll a szigorú határozattal. Ha engedelmeskedik az utasításnak, a Ba’ku 600 békés lakóját kitelepítik csodás otthonából, hogy milliók számára tegyék elérhetővé a hely Örök Élet forrásához hasonló erejét. Ha azonban ellenszegül, nemcsak hajóját és pozícióját, de az életét is kockára teszi. Picardnak választania kell, és végül arra az útra lép, amire kevesen vállalkoznának az ő helyében. Szembefordul a Csillagflottával… és az űrlázadás élére áll, hogy megmentse a Paradicsomot. (InterCom)
(több)Videók (2)
Recenziók (3)
No, I just can't get used to this crew. It reminded me of the Stargate episodes, which I didn't exactly like. It's sometimes quite entertaining, there are interesting relationships and character development - Jonathan Frakes shaves! - but overall, I just don't enjoy it as much as the movies with the old crew. There's just some nostalgia in that, nothing can be done about it.
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Regardless of the fact that the first few scenes scared me with their theme of a beautiful, defenseless, and endangered planet, everything changes once the action moves to the Enterprise. Jonathan Frakes' directing is flawless, just as it was in Star Trek: First Contact, and he adds surprisingly excellent jokes to the war dilemmas (the consequences of the planet’s effects on the crew are exactly on the border of refreshing innovation and slight bizarreness). However, the immense credit for the final impression goes to the character of Picard. I don't want to favor the old guard, but I was most satisfied when the captain became almost Kirk-like, principled and rebellious. The only flaw is the overcooked finale. There were too many complications in it, but the intense meeting of the two captains saves it to a great extent. Otherwise, there is a surprising satisfaction and the realization that Jonathan Frakes has truly saved this film series.
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Star Trek for the invited, some really nice jokes about the untouchable Klingon majesty of Mr. Worf, the excellent etudes of Data, Riker and Captain Pickard. The quite interesting current consideration that Mr. Spock would sum up as "can the interests of the majority always prevail over those of the individual?" A sympathetic open ending and a pair of absolutely standard action scenes, which barely raise an expert on the series into the good stratosphere. In the end, however, the pleasant atmosphere of the world of eternal youth, the family well-being of the fireplace called the Enterprise and relaxed joking win the day. For fans of the series, a welcome potlatch by the cosmic fire, but for passers-by, probably a rather lifeless sci-fi film. Of course, there are significantly better episodes in the Next Generation series.
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