Rendező:
Yves RobertForgatókönyvíró:
Francis VeberOperatőr:
René MathelinZeneszerző:
Vladimir CosmaSzereplők:
Pierre Richard, Bernard Blier, Jean Rochefort, Mireille Darc, Colette Castel, Jean Carmet, Yves Robert, Robert Dalban, Paul Le Person, Michel Duchaussoy (több)Tartalmak(1)
A titkosszolgálat főnöke meg akar szabadulni egy beosztottjától, aki a tisztségére pályázik. Ezért azt állítja az ártatlan muzsikusról, Francois-ról, hogy ellenséges sztárügynök, és ráuszítja a kollégáit. Francois persze mit sem sejt az egészből, s egy holdkóros biztonságával botladozik a zűrzavaros helyzetek forgatagában. Valahogy mindig sikerül kikeverednie minden veszedelemből, míg üldözői halomra gyilkolják egymást. Sőt még a szép kémnő, Christine is beleszeret... (Mozi+)
(több)Recenziók (3)
It was an unassuming evening, on ČT24 they did a solo carp and Pierre Richard appeared in a live broadcast. His storytelling about movies in France, about his past, about Vladimír Cosma, and how much he loves our country, to which he also contributes the fact that he himself confirmed that he played best in front of the Czech audience, honestly touched me unbelievably. He spoke about the Czech Republic with wonderful enthusiasm. He spoke about how Czechs understand his humor, that he greatly values it, and that at least this we have in common with the French. After it ended, Pierre Richard climbed to the top of the French actors ranking for me, and I didn't hesitate and immediately turned on one of his most famous films. I liked how this is not actually a typical comedy, but combines crime and comedy in a way that it takes the best from the crime genre, but still manages to make it incredibly funny. As soon as Pierre came on the scene, I couldn't stop laughing and it kept me entertained until the end of the film. The Tall Blond Man with One Black Shoe thus becomes another French film for me that I will gladly repeat in the future.
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"It flushes rapidly? And why is he flushing rapidly? Sure, he has a reason for it, but why does he flush rapidly?" I'm still dying laughing at the bagpipe scene, and in general this crime comedy is still as cute as it used to be. For example, the search and installation of wiretaps in the main character's apartment is perfect - especially the patient agent disassembling the matryoshka is brilliant. Pierre Richard acts (by his standards) very restrained, which is a good thing. And that great music by Cosmo!
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Pierre Richard shows off his comedic skills here, even in the sense that he is not unnecessarily theatrical, although he does come off a little awkward at times. But it's never over the top, it's always with flair, and the film entertains for that reason. The screenwriting is also so beautifully hokey that you can’t help but like the film and be entertained.
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