Rendező:
Jaume Collet-SerraOperatőr:
Flavio Martínez LabianoZeneszerző:
John OttmanSzereplők:
Liam Neeson, Julianne Moore, Michelle Dockery, Anson Mount, Omar Metwally, Scoot McNairy, Nate Parker, Corey Stoll, Linus Roache, Bar Paly (több)Streaming (1)
Tartalmak(1)
Bill Marks (Liam Neeson) szövetségi légi marsallként ingázik a New York és London közti non-stop járaton. Egy átlagos útnak indult ez a napja is, amikor a telefonjára egy fenyegető sms-t kap: 20 percenként megölnek egy utast a fedélzeten, ha nem utalnak át 150 millió dollárt egy megadott bankszámlára. Egyedül Marks az, aki aggódik az utasok életéért, a pilóta és a teljes legénység meg van róla győződve, hogy az Atlanti-óceán felett nem érheti őket baj. Az első gyilkosság után pánik tör ki a fedélzeten. A marsall próbálja kézben tartani az káosz uralta helyzetet, de egy nem várt fordulat felforgatja az eseményeket: az FBI, az Interpol, és még a Fehér Ház is azzal vádolja Marksot, hogy ő az, aki eltérítette a non-stop járatot. Senki nem hisz a marsallnak, pedig az idő egyre fogy, és már senki nincs biztonságban. (Pro Video Film)
(több)Videók (16)
Recenziók (13)
Sokáig mondogatod magadnak, hogy ha az írók nem cseszik el, akkor tökéletes légi thriller lesz! Gyors tempó, karizmatikus főszereplő, sűrűsödő paranoia és fokozódó feszültség. De az írók ezt elszúrják, és bár a film feszültsége sokáig kitart, fokozatosan elveszíti a komolyságát, és végül csak mosolyogni tudunk egy újabb akciós hülyeségen, ami mentálisan a 90-es évekből való (Joel Silver, hát). Életre szóló tanács: Amikor a repülőn mindenki terroristának néz, és a helyzet kezd pokolian éles lenni, mondd el nekik, hogy a kislányod rákban halt meg...
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The duo of Jaume Collet-Serra and Liam Neeson works very well for me. This is a proper thriller that hits the gas from the start and hurtles forward at a furious and unstoppable pace. It has a few twists and turns, surprises, there are a quantum of decent ideas and the finale is both technically and visually breathtaking. Once again, my favorite actor did not disappoint. Pure thrilling fun! 80%
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B-movie shit that deals with its stupidity with an A-cast and ambitious emotional directing (after The Grey, Liam's pensive self-beautiful beginnings are probably becoming a tradition). The more refined the screenplay wants to be, it has to find that much more of a stupid and overcomplicated solution in a situation that makes no sense. That's because the screenwriters want you to knot your brain cells a little harder through a "big mystery". Were it not for the fact that the viewer can accept Neeson dramatically gargling of toilet disinfectant, this mannerist pretense of an intelligent thriller would be hardly bearable. This way, the stench pours out in the last ten minutes. But it is worth it. [55%]
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A dull echo of the 1990s, whose cardiogram will drive you straight to the pharmacy for medication. Serra and Neeson would clearly love to create a new stable of action movies combined with a paranoid thriller, but while in Unknown they didn't take a screenwriter to Berlin, the airline to London forgot the captain straight away. Serra uses a lackluster flywheel that leaves Neeson's abilities in economy mode, as well as the entire pace of the narrative. It has a unique gift for moving forward headlong, but it lacks more substantial highlights that would give me a reason to see it again. One men's rendezvous in the bathroom really won't cut it. Actually, this is the first film in which Liam's position as an action titan seemed a bit out of place. There is no non-stop perennial here.
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I see that Liam Neeson can get himself mixed up in some great stories. After the movies Taken and Unknown, he completes his distinctive thriller trilogy with this very film. I just hope it’s not the end of the thriller genre for him, because I think he has found himself in those movies. And it doesn’t really matter that in this movie, he plays an aged alcoholic who shakes like a leaf at the thought of a stressful situation. Anyway, I can’t just talk about him all the time. The director has a great deal of credit for the high quality of this movie. If I decided to view this thriller as a crime investigation story, I’d think that everybody on the board of that plane was the killer. The camera shots of those people, their looks and even their behavior was exactly what I needed. Because I wasn’t sure about absolutely anything. And that’s why I really enjoyed this dynamic and tense movie.
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