Operatőr:
James MatherZeneszerző:
Alexandre AzariaSzereplők:
Guy Pearce, Maggie Grace, Vincent Regan, Joe Gilgun, Lennie James, Peter Stormare, Jacky Ido, Tim Plester, Anne-Solenne Hatte, Peter Hudson (több)Tartalmak(1)
2079-ben járunk. Snow ügynököt (Guy Pearce) letartóztatják egy gyilkosságért, amelyet nem is ő követett el és harminc évre ítélik az Egyes Számú Űrfegyházban. Az amerikai elnök lánya, Emilie Warnock (Maggie Grace) épp a kísérleti jelleggel működő űrbörtönben tesz látogatást, ahol a raboknak sikerül lázadást kirobbantaniuk és hamarosan túszul ejtik Emilie-t. Snow-nak ekkor alkut ajánlanak: megúszhatja a büntetést, ha felmegy az űrbe és kiszabadítja a lányt. A férfi elvállalja a lehetetlen küldetést, mert ha teljesíti, nemcsak a szabadságát nyerheti vissza, de arra is esélye van, hogy az űrfegyházban raboskodó társa segítségével végére járjon annak a súlyos kémügynek, amelyet a letartóztatása előtt felderíteni próbált. A Lockout – A titok nyitja vérbeli akciófilm emlékezetes karakterekkel és remek párbeszédekkel. (Pro Video Film)
(több)Videók (8)
Recenziók (10)
Guy Pearce surprised me in this movie to the extreme. I knew the movie existed, but I’ve always been annoyed by the reviews which said that the camera is shaky and the whole thing sucks. In the end, I made time to watch the movie. And I have to say that it’s pretty easy to ignore the camera. However, what you can’t ignore is the perfectly written character that was played perfectly by Guy Pearce. The moment I saw his character I remembered the best action roles of the eighties. John McClane and so on. Guy keeps uttering one catchphrase after another, everything pisses him off, everything angers him. The kind of a good guy I grew up with. That’s why this movie made me so excited in the end. Nowadays, you don’t get to see these characters as much.
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Terribly boring. In the film, Guy Pearce does try to spread love and understanding in the style of John McClane, but the script does not give him enough sharp one-liners or enough straightforward situations. The number of explanatory captions at the beginning should have made someone think about it and rewrite the whole script in a striking 80's variation. Crossing a conspiracy poodle with an action doberman just doesn't work.
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Straightforward and thoroughbred entertainment that looks like it came out of the eighties. Guy Pearce’s dry lines were the best that I’ve heard in a long time and killing convicts becomes funny at the moment when they depart this earth by triggering voice-triggered bombs with an F-word on their tongue. Maggie Grace looks super and overall she is really nice. The villain most deserving a mention is the main nutter, brother of the main capo, played excellently by Joseph Gilgun. The story is a variation on old Carpenter movies, crossed with Die Hard, with an ending that will have your eyes goggling. A laid-back relaxing ride.
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Explosive, uninhibited, breathtaking, indefensible. And all that much more irresistible. Guy Pearce has found his new career challenge and alongside the increasingly beautiful Maggie Grace, he has proven to be a first-class stud. Thanks to the relentless pace of the lines and the killer tempo, Lockout is a blast that locked me in for an hour and a half and in the end spat me back into a world where we'll probably have to wait a few more years for space prisons. Pure action fun in its most positive form.
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When logic goes on a trip, preferably off its home planet, and leaves at home a full house of catchphrases, leaden lines, and memories of John Carpenter (and McLane), it's met with a cool cast of villains for whom oral hygiene is a dirty word. You'll forgive it in the end for the fact that it started with the most awful digital chase of the new millennium and that Luc Besson is simply doing drugs because something that dumb wouldn't come to us from the other side of the galaxy.
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