Rendező:
Andrea ArnoldForgatókönyvíró:
Andrea ArnoldOperatőr:
Robbie RyanZeneszerző:
Phonso MartinSzereplők:
Katie Jarvis, Michael Fassbender, Kierston Wareing, Rebecca Griffiths, Harry Treadaway, Jack Gordon, Anthony Geary, Jason Maza, Joanna HortonTartalmak(1)
A Red Road rendezője, Andrea Arnold ezúttal is a brit külvárosi panelek világába vezeti a nézőt. Mia, a zavaros családi hátterű tinédzser táncos karriert dédelget, amiért igyekszik mindent megtenni. Az érzelmeit azonban nem tudja kordában tartani, és beleszeret az anyja barátjába. (CirkoFilm)
Videók (2)
Recenziók (4)
Néha a legszebb filmekről a legnehezebb írni. Mert el vagy kötelezve. Mert úgy megérintenek, mint semmilyen más, kifinomultabb film, miközben a leghétköznapibb dolgokról szólnak. Az Akvárium meglepett engem. A hitelességével, az emberségével, a természetességével, a rövid költői lassításokkal, amelyek olyan kellemes simogatás voltak a körülöttünk lévő kétségbeesés közepette. Az Akvárium filmben megkedveltem egy ellenszenves tinilány karakterét, akit száz lépésnyire elkerültem volna az utcán. Az Akvárium film meghatott egy jelenettel, amelyben egy hip-hoppoló családot látunk a nappali szőnyegén. Számomra ez a 2009-es év európai filmje.
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British social drama is a concept in cinema, and in terms of the genre, Fish Tank is, from my perspective, at the absolute top. Katie Jarvis' performance literally grounded me, and I immediately asked myself how it was possible that I hadn't seen this amazing girl in anything else before. Afterward, it occurred to me that the incredible authenticity of her performance stems from the fact that she actually represents herself. But even this fact doesn't diminish her natural talent. It's a shame that no one else was found to continue to work with her, cultivate her expression, and turn her into a real actress. In any case, I can truly recommend Fish Tank as an intimate drama about a teenage girl from the British lower class and her romantic infatuation and subsequent sobering up. Overall impression: 95%.
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The best, most moving, emotionally powerful, and compelling films are those that tell stories of "ordinary", everyday life. What’s more, if the filmmakers manage to do without unnecessary fluff, frills, and all manner of unnecessarily distracting elements typical of thematically similar American films, they can create a work that hits you both with its pure humanity and chosen narrative style, which may be "harsher" at certain moments, but never slips into psychological terror or emotional manipulation. A social drama like mad where Katie Jarvis makes her acting debut and excels.
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Fantastic shot depth and subtle metaphors in an otherwise very realistic depiction – Andrea Arnold has the attentive empathy of a woman, but this does not prevent her from hiding moral ambivalence, humiliation and betrayal under a very aesthetic package. The excellent Kate Jarvis has a harsh temperament, Fassbender proves that he is one of the most elastic actors today, and the entire strangely crippled panopticon of the characters works without any issues. The result is pure realism, but which in no way should be confused with craft routine or documentary detachment. Fish Tank is the perfect compromise between authenticity and aesthetics. The only fault I can find is that it is sometimes a little lengthy, but even that is part of Andrea Arnold's personal stamp. A stamp in which I can see a lot of the imprints of the Danish school of Lars von Trier... but Fish Tank is a unique and sophisticated author's film.
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Galéria (46)
Photo © BBC Films
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