Rendező:
Duncan JonesForgatókönyvíró:
Nathan ParkerOperatőr:
Gary ShawZeneszerző:
Clint MansellSzereplők:
Sam Rockwell, Kevin Spacey, Dominique McElligott, Kaya Scodelario, Benedict Wong, Matt Berry, Malcolm Stewart, Gavin Rothery, Edgar ArreolaTartalmak(1)
250 000 mérföldre az otthontól a legkeményebb dolog, amivel szembe kell néznie: önmaga. Sam Bell (Sam Rockwell – Charlie angyalai, Halálsoron, Vasember 2.) asztronauta egyedül dolgozik a Holdon. Számítógépe, GERTY segítségével küldi az itt kitermelt erőforrást a Földre, ezáltal megmentve bolygónk összeomlott energiagazdálkodását. A Holdon eltöltött hároméves megbízásának végéhez közeledvén saját magával kerül összeütközésbe. (ADS Service)
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Recenziók (11)
Papírkartonos sci-fi dicséretes szándékkal, kevésbé dicséretes dramaturgiai szerkesztéssel tálalva. De a pozitív benyomások dominálnak: Sam Rockwell jól játszik, Spacey hangja pedig remek ötlet volt.
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Great sci-fi film. At the beginning I was afraid that what is immediately clear to smart viewers would turn out to be the shocking twist, but fortunately, the creators weren’t so naive. Moon delivers a very intelligent story, eye-candy visuals, excellent music (and catchy, I still can’t get that melody out of my head), and also emotionally strong scenes. All that together results in a unique movie that no fan of science fiction, or cinema in general, should miss. Basically flawless 5*.
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In the end it just doesn’t have what it takes for the legendary status enjoyed by milestones in intelligent sci-fi such as Space Odyssey or Blade Runner (the screenplay holds it together, but there are a couple of screaming lapses of logic), but a few times while I was watching it did occur to me that it isn’t that far off. Plus, Moon has huge potential to mature with time. And who knows, maybe there will come a time when I will have to change my comment at the beginning. P.S.: Lots of those lapses of logic may be solved by the theory about radiation sickness, but not all of them by far...
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A captivating and very gradual flight through loneliness and lost identity. A soft camera, sensitive directing, dreamy music and Sam Rockwell, whose performance of the schizophrenic "mind-fucking" (as he called it) looks like an air ballet. Moon may not be philosophically or deeply spectacular, but with all the imperfections and indie smudges from tar, this is a film that is easy to fall in love with.
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Danny Boyle is often thought about, but in my opinion wrongly. Jones’s story could easily have been set on Earth, but then it lacked the "Cameron-esque" detachedly cool industrial setting that perfectly supports the film's events. The story isn't rocket science but instead rides along a strong emotional level of a lonely man, which was a challenge accepted by Sam Rockwell, who did his job with incredible grace. Not to be unfair to the director - especially the opening paranoia and the schizophrenic feel of the second half do make us think - but Rockwell's acting, backed by Mansell's excellent score, actually "made" this film. It’s an unconventional film experience, though probably without a significant audience response.
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