Rendező:
Duncan JonesForgatókönyvíró:
Nathan ParkerOperatőr:
Gary ShawZeneszerző:
Clint MansellSzereplők:
Sam Rockwell, Kevin Spacey, Dominique McElligott, Kaya Scodelario, Benedict Wong, Matt Berry, Malcolm Stewart, Gavin Rothery, Edgar ArreolaTartalmak(1)
250 000 mérföldre az otthontól a legkeményebb dolog, amivel szembe kell néznie: önmaga. Sam Bell (Sam Rockwell – Charlie angyalai, Halálsoron, Vasember 2.) asztronauta egyedül dolgozik a Holdon. Számítógépe, GERTY segítségével küldi az itt kitermelt erőforrást a Földre, ezáltal megmentve bolygónk összeomlott energiagazdálkodását. A Holdon eltöltött hároméves megbízásának végéhez közeledvén saját magával kerül összeütközésbe. (ADS Service)
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Recenziók (11)
Papírkartonos sci-fi dicséretes szándékkal, kevésbé dicséretes dramaturgiai szerkesztéssel tálalva. De a pozitív benyomások dominálnak: Sam Rockwell jól játszik, Spacey hangja pedig remek ötlet volt. ()
In the end it just doesn’t have what it takes for the legendary status enjoyed by milestones in intelligent sci-fi such as Space Odyssey or Blade Runner (the screenplay holds it together, but there are a couple of screaming lapses of logic), but a few times while I was watching it did occur to me that it isn’t that far off. Plus, Moon has huge potential to mature with time. And who knows, maybe there will come a time when I will have to change my comment at the beginning. P.S.: Lots of those lapses of logic may be solved by the theory about radiation sickness, but not all of them by far... ()
Great sci-fi film. At the beginning I was afraid that what is immediately clear to smart viewers would turn out to be the shocking twist, but fortunately, the creators weren’t so naive. Moon delivers a very intelligent story, eye-candy visuals, excellent music (and catchy, I still can’t get that melody out of my head), and also emotionally strong scenes. All that together results in a unique movie that no fan of science fiction, or cinema in general, should miss. Basically flawless 5*. ()
Danny Boyle is often thought about, but in my opinion wrongly. Jones’s story could easily have been set on Earth, but then it lacked the "Cameron-esque" detachedly cool industrial setting that perfectly supports the film's events. The story isn't rocket science but instead rides along a strong emotional level of a lonely man, which was a challenge accepted by Sam Rockwell, who did his job with incredible grace. Not to be unfair to the director - especially the opening paranoia and the schizophrenic feel of the second half do make us think - but Rockwell's acting, backed by Mansell's excellent score, actually "made" this film. It’s an unconventional film experience, though probably without a significant audience response. ()
A captivating and very gradual flight through loneliness and lost identity. A soft camera, sensitive directing, dreamy music and Sam Rockwell, whose performance of the schizophrenic "mind-fucking" (as he called it) looks like an air ballet. Moon may not be philosophically or deeply spectacular, but with all the imperfections and indie smudges from tar, this is a film that is easy to fall in love with. ()
Galéria (57)
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