Rendező:
Sean AndersOperatőr:
Tim OrrZeneszerző:
Stephen TraskSzereplők:
Josh Zuckerman, Amanda Crew, Clark Duke, James Marsden, Seth Green, Katrina Bowden, Charlie McDermott, Dave Sheridan, Michael Cudlitz, Andrea Anders (több)Tartalmak(1)
A tizennyolc éves Iannak nincs szerencséje a lányoknál. Emiatt a bátyja, Rex állandóan piszkálja, a csajozásban pedig még a tizennégy éves kisöccse is lepipálja. Ráadásul a munkahelyén, a gyorsétteremben is rendre megalázzák. Mindezt talán elviselné, lévén, jobban foglalkoztatja, hogy itt a főiskola, és ő még mindig szűz. Ian elhatározza, hogy az interneten szerez nőt magának. Hamarosan megismerkedik a dögös szöszivel és a Chicago és Knoxville közötti távolság sem látszik áthidalhatatlannak. Elcsórja a bátyja autóját és a barátjával, Lance-szel, illetve a barátnőjével, Feliciával útnak indul, hogy elveszítse a szüzességét. (HBO Europe)
(több)Videók (2)
Recenziók (4)
An enjoyable diversion that left me with stomach pain for two days. The talking donut idea was really brilliant! The story was totally stale and unimportant, but the performances of the actors and the lines were not bad. It was another long-awaited successful comedy, as it should be. Almost perfect, that's why I don't understand the rating here!
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A great comedy from the days when Americans were still doing cool stuff. It's a bit like American Pie, and it's funny and crazy enough. I enjoyed the nudity, the decent wisecracks, the nice pacing, and James Marsden as an assassin. I had a good laugh. 8/10.
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It’s very predictable, but in many moments also damn truthful and above all outrageously entertaining. It’s a rather late burial of genre films developed long ago, which scores points with its sincerity, sensual curves, and wonderful music. And James Marsden unleashed to the max. The funniest film of winter 2008/09.
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A pretty average dose of typical American cliché based on the loss of virginity, with a lot of predictable scenes following each other, but on the other hand, the soundtrack is great and James Marsden was practically killing it (in a good way). In short, a textbook example of an American comedy that doesn't surprise with anything, but doesn't offend either.
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