Rendező:
David O. RussellOperatőr:
Hoyte van HoytemaZeneszerző:
Michael BrookSzereplők:
Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo, Jack McGee, Americo Presciutti, Jeffrey Corazzini, Dan Marshall, Jackson Nicoll, Lindsey Warm (több)Tartalmak(1)
A harcos szókimondó, szeretettel teli humorral átszőtt, és egyben megrázó története megtörtént eseményeken alapul. A film főhőse a hihetetlen visszatérést produkáló, és váratlanul bokszhőssé váló "Irish" Micky Ward, és féltestvére, Dicky Eklund. Akiknek előbb ellenfelekké kellett válniuk ahhoz, hogy végül igazi testvérekként tudják megszerezni a győzelmet, és meg tudják erősíteni a családi kötelékeket. (Palace Pictures)
(több)Videók (8)
Recenziók (11)
Családi dráma (a "családról szóló dráma", nem pedig az "egész családnak szóló dráma" értelmében), amelyet csak a kiváló Christian Bale emel ki a középszerűségből (hasonló szerepe van, mint a Nehéz idők filmben). Lélektanilag hiteles és színészekre koncentráló film, amely nem hoz semmi újat az intim kapcsolatok műfajában, és nem kínál jelentős drámai pillanatokat sem. Wahlberg a valós életbeli háttere miatt illik a szerepre, de helyette a filmnek szüksége lett volna egy Bale kaliberű színészre.
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This is not so much a film about boxing and the hardships this sport brings (that's why comparisons with Rocky, Raging Bull, etc. are unwarranted), but mainly a social drama about a crazy family, a domineering mother-manager and two brothers who are completely different in character, all with riveting performances by almost everyone involved. While Wahlberg, with his unchanging poker player expression, hits his acting limits here, the anorexic Bale clearly reigns supreme and whenever he's on screen you can't take your eyes off him. There is such a believable and intimate atmosphere permeating the whole film, that you have no problem empathising with the action and watching it all in one breath. The only thing separating this film from a maximum rating is the fact that the plot meanders through predictable twists and turns, but otherwise it’s undoubtedly one of the films of the year and the Oscar nominations are well deserved.
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The strongest response that The Fighter managed to get out of me was curiosity at whether Bale will get the Oscar for his secondary role as the skinny, drug-addicted brother/coach. I hope he does, because, although the film as a whole felt like classic award bait, Bale’s performance is the only thing that stands out among all the cynicism and it impressed me (something the cynicism from recent years, like Invictus or Milk, didn’t manage). Otherwise, it’s an ordinary story about how an unremarkable “loser” goes all the way to the top, though I didn’t get the feeling that Micky Ward made any extraordinary effort for that. The Fighter is not a bad film, but my sympathies lie elsewhere. 6/10
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A decent boxing movie starring Mark Wahlberg and Christian Bale. I'm actually surprised I didn't get it sooner. It's mostly a drama about two brothers who have family problems and one of them is addicted to crack, but when Wahlberg gets in the ring, it's mostly something to watch. The final fight in particular was excellent. I enjoyed it, but it lacked the emotional impact to make a full count. There have been better pieces, but this one certainly doesn't fall short. 80%.
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In crack fumes and in the smell of peroxide on boxing Olympus. The sympathetic, if inconsistent, synthesis of the Royck genre film with family-social drama, which has little idea which side to be on more, and thereby prefers to do the sure thing. Thanks to Bale and a very juicy finale, sympathy wins above all, although the question of why Aronofsky reached for a more effective grease from Tchaikovsky continues to bother me. The Fighter is simply a more modest and sympathetic substance. And not just because it's got balls.
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Galéria (72)
Photo © Paramount Pictures
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