Rendező:
Marc ForsterForgatókönyvíró:
Zach HelmOperatőr:
Roberto SchaeferZeneszerző:
Brian ReitzellSzereplők:
Will Ferrell, Maggie Gyllenhaal, Dustin Hoffman, Queen Latifah, Emma Thompson, Tom Hulce, Linda Hunt, Christian Stolte, Kristin Chenoweth (több)Streaming (1)
Tartalmak(1)
Egy reggel Harold Crick (Will Ferrell), a teljesen átlagos és magányos informatikus arra ébred, hogy egy női hang kommentálja minden mozdulatát, gondolatát és érzését. Harold precíz élete egyik pillanatról a másikra feje tetejére áll, hisz a narrációt csak ő hallja, s mikor a hang bejelenti, hogy Harold Crick hamarosan elhalálozik, a férfi elhatározza, hogy felkeresi a hang tulajdonosát, hogy változtassa meg a befejezést. Kiderül, hogy a hang tulajdonosa az egykoron szebb napokat látott írónő, Kay (Emma Thompson), aki nehezen találja a befejezést a könyvéhez. Harold próbálja kézbe venni a sorsát és elkerülni végzetét, ezért egy irodalmárhoz, Jules Hilberthez (Dustin Hoffman) fordul segítségért, akinek a javaslatát követve Harold meglehetősen szokatlan és váratlan románcba bonyolódik Ana Pascallal (Maggie Gyllenhaal). (SPI)
(több)Videók (1)
Recenziók (11)
Üde, találó és inspiráló vígjáték az intelligens nézők számára. Rengeteg kiváló ötlet, aranyos pillanatok, amelyeket az életből ismerünk, de a filmben eddig nem láttunk. Ferrell komoly színészi játéka talán túl minimalista, de őt kiválóan kiegészíti az excentrikus Maggie Gyllenhaal és Dustin Hoffman. Javaslom, hogy vigyél magaddal néhány finom, csokoládéba mártott kekszet a moziba.
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Creator-chameleon Marc Foster has again chosen a subject that we wouldn’t expect from him - a variation on The Truman Show. And, as usual, he filmed an outstanding picture that is like all of his previous ones, although it trips up a little with the not completely kosher ending. However, this time this comes after such a gush of originality, playful narrative techniques, disarming ideas and visual tricks that it doesn’t really matter. Everything here is like clockwork - the actors is outstanding, the screenplay too and if you add to this the sure-handed and ingenious directing, it’s hard not to fall in love with this story about this boring guy, Harold Crick. Despite the ending which I would have preferred if it had come a few minutes sooner.
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Although I have quite a soft spot for Ferrell's frat pack rampage, his focused and artful creation is what most pleasantly took my breath away. However, it wouldn't have happened without the great script that even Charlie Kaufmann would have been proud of, and Forster's fantasizing, which managed to make even brushing his teeth an unforgettable experience... or: Shout out to Hollywood! Originality can still be found in a few drawers!
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A fresh and novel existential love story primarily intended for nerds and intellectuals. Despite its relatively normal running time, the film feels too long and plodding. The screenwriter plays with the viewer quite well, but many scenes are unnecessarily drawn out. The uncompromising ending also fails to deliver.
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One of my greatest film experiences of the past year, with excellent acting and a top-notch original screenplay. It is a film about fate, about dying, and about love for life, but presented in a comedic form. The acclaimed writer, who reflects her constant depression and suicidal tendencies in tragic novels, where she ruthlessly destroys her fictional characters, has no idea that her latest protagonist, a dry tax official without imagination, has a real-life image and, by a twist of fate, the writer begins to control his future from above. However, her protagonist hears the story of his life, realizes that his perspective is probably not very joyful, and tries to defy his fate. Forster's movie is full of absurd dialogues, clever directing elements, and truly black humor. Will Ferrell and Maggie Gyllenhaal are very good in the lead roles, but the biggest star is Emma Thompson as the British writer. The scene where she goes to the hospital for inspiration on how to send off her fictional character from the world, and is dissatisfied because she sees many seriously ill people but none of whom are dying, and she pesters the staff to show her someone about to die, represents, in a way, the pinnacle of how far you can go in terms of black humor in a mainstream film. Stranger Than Fiction is a film based on the game between the individual characters and between the director and the screenwriter on one side, and its audience on the other. A clever piece that doesn't come around often. Overall impression: 95%.
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Galéria (24)
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