Rendező:
Zack SnyderOperatőr:
Larry FongZeneszerző:
Tyler BatesSzereplők:
Gerard Butler, Lena Headey, David Wenham, Dominic West, Vincent Regan, Rodrigo Santoro, Andrew Tiernan, Isabelle Champeau, Michael Fassbender (több)Streaming (4)
Tartalmak(1)
A görög-perzsa háborúban a görögök Marathon mellett i. e. 490-ben megállították az ellenséget. Tíz évvel később Xerxes vezeti az újabb perzsa támadást. A poliszok Spárta, Athén és Korinthosz vezetésével szövetkeznek. Az első összecsapásra a Thermopülai-szorosnál kerül sor, amelyet Leonidas spártai király véd a néhány ezer fős seregével. Amikor a perzsák a hátukba kerülnek, elbocsátja a segédcsapatokat és háromszáz katonájával az utolsó leheletéig harcol. Önfeláldozásuk nem volt hiábavaló, időt adott a görög seregek egyesüléséhez. (InterCom)
(több)Videók (3)
Recenziók (16)
Hoppá! Nincs mega-eposz. A 300 című film egy szerény kísérlet, amely egy 10 oldalas forgatókönyv alapján készült, szép blue-screen háttérrel. A párbeszédek olyan komolynak és vagánynak tettetik magukat, hogy szinte elmosolyogtatók. A történet újrahasznosítja azt, amit már elmondta A rettenthetetlen című film és a Gladiátor című film, csak rövidebb formában és kizárólag a látványra koncentrálva. Jó nézni, a harcjelenetek csiszoltak, de minden más csak víz. Ha nem lennének a lassított felvételek, alig tartana 60 percig. Szép egyszeri film, de remélem, hogy nem egy új filmes alműfaj kezdetét jelzi.
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I really like Zack Snyder for Watchmen and Dawn of the Dead (and Legend of the Guardians: The Owls of Ga'Hoole and Suckerpunch look very promising, too), but 300 is unfortunately a very big misstep. A visually fancy historical carnage (a bit too digital and artificial for my taste) that to it’s own chagrin takes itself way too seriously. Gerard Butler is one of the least likeable actors and his heroic speeches almost made me burst out laughing. This is not Sparta, this is a bad joke.
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I would like to paraphrase a sentence uttered in the film itself: "My eyes saw a grotesque spectacle summoned from the darkest corners of Miller's strange soul." The rape of history under the guise of a comic adaptation (under which everything is tolerated nowadays, perhaps even if someone made Němcová's Grandmother a dominatrix in a S&M parlour), the fanatically stubborn (though undeniably charismatic) Leonidas, who reminded me of another fanatic, Hoferik from Signum Laudis, so I certainly wouldn't want him as a king, and the slow-motion shots in the second half with their increasing frequency bored me to death. If, given the high box office returns, this empty and narcissistic affair will set the course for the future of the film industry, then we have no choice but to shout "Gott mit uns!" I'm not sure if sentences like "...I felt like smashing someone's face in after the movie was over..." is the right emotion to take away from a film, but I have no doubt that for angry young teens, this will be the best movie of their short lives so far :)
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Snyder is here to entertain! An elegant recycler of the classic sandal adventure and heroic epic wrapped in a beautifully re-styled audiovisual package that has very little to do with history itself, and the search for historical context can hardly be called viewer ignorance. The vast majority of current productions are in the same boat, so why nitpick here when it's clear from the start that the pathetic phrase will be part of every Leonidas (Gerard Butler, the most charismatic leader of the screen a few years back, scores points!) monologue, the purely macho speech of every dialogue, and that the battle will be nothing but visual gluttony of the finest quality? I enjoyed 300 for its relative originality, down to the last drop of digitally redacted blood the characters shed, and I’m certainly not worried about the future of other Hollywood productions. There have already been several similar booms, and in a few years, young angry teens will find their new cult. It is rather surprising how many people, after seeing 300, suddenly crave pure awesomeness, which has survived (and will survive) everything.
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For me, a completely indigestible mix of pathos, stupid dialogues and a pseudo-art image, which, apart from rich colors and slow-motion, offers nothing more interesting than bricks of soaked Spartans and a nice composition here and there. Snyder is an absolute maniac, who, more than the narrative itself, is driven by various effects, accessories and frills, because of which, from my point of view, the film has no tempo, explosiveness or even meaning. Impactful comic book bullshit about freedom and building speeches, in the style of the last battle ignited me, endlessly irritate, and the action scenes bore me with their sterility and the absence of a decent choreographic idea. Any way I look at it, it’s a truly idiotic work, probably only good for making fighting slogans for hockey teams.
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Galéria (113)
Photo © Warner Bros.
![300 - Filmfotók](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/000/239/239364_2ce7fd.jpg)
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