Rendező:
Kevin ReynoldsForgatókönyvíró:
Dean GeorgarisOperatőr:
Artur ReinhartZeneszerző:
Anne DudleySzereplők:
Sophia Myles, James Franco, Hans-Martin Stier, Rufus Sewell, Leo Gregory, Bronagh Gallagher, Thomas Brodie-Sangster, Lucy Russell, Barbora Kodetová (több)Tartalmak(1)
A rómaiak által magára hagyott Britanniában zavaros, kegyetlen időszak köszöntött be. A hatalmi űrt kihasználva az erőszakos és kegyetlen ír király kerekedett a megosztott brit törzsek fölé. Az idegen iga ellen szövetkező törzsek élére a fiatal és nagyszerű harcos, Trisztán áll, akit az első ütközetben mérgezett fegyver vesz le a lábáról. A halottnak hitt harcos testét Írországba sodorja a sors és a tenger, ahol az ellenséges király lánya Izolda ápolja és veszi védőszárnyai alá. A két fiatal között mély kötődés alakul ki, de az elkeseredett hatalmi harcok nem hagyják, hogy szerelmük beteljesedjék. (SPI)
(több)Videók (2)
Recenziók (4)
Before Romeo and Juliet, there was Tristan and Isolde. But perhaps in this execution, it's not as interesting as one would like. A nice romance set against the backdrop of historical events, with a bit of the atmosphere of Arthurian England, as well as stories from Norse legends. But the romance didn't grab me, and I wasn't impressed with the historical background either.
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On the wings of a surprisingly diverse soundtrack, the immortal story begins very slowly, but its fatefulness, the perfect chemistry between James Franco and Sophia Myles, and the charisma of the positively acclaimed Rufus Sewell are enough for an unexpectedly strong spectacle. Kevin Reynolds has easily overcome his own shadow.
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Tristan and Isolda serves its purpose perfectly. This picture is romantic enough for your more delicate half to quiver with delight and action-historical enough for us to quiver with delight too ;-). Franco as Tristan is a nice enough guy for you to root for him and Sophia Miles is beautiful enough for it to be believable that a guy like James Franco would fall for her ;-). The Czech Republic locations don’t look very British, but that doesn’t spoil things much. More like I was disappointed that us Czechs can’t make a good, similarly toned movie. We have the people, we have the landscapes. Where’s the problem?
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A solid average which proves that Reynolds still knows how to make a movie. But if the Scott brothers invested a little more (and if one of them had filmed the thing), it could have turned out somewhat better. The screenplay lacks any mythological elements and attempts to give a realistic perspective. Which is all very nice, but not completely appropriate, because as a result the whole Tristan and Isolde story ends up swimming in the dime-a-dozen waters of something we have seen a hundred times over.
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