Rendező:
William CastleForgatókönyvíró:
Robert BlochOperatőr:
Arthur E. ArlingZeneszerző:
Van AlexanderSzereplők:
Joan Crawford, Diane Baker, Leif Erickson, Howard St. John, John Anthony Hayes, Rochelle Hudson, George Kennedy, Lee Majors, Edith Atwater, Mitchell Cox (több)Streaming (1)
Tartalmak(1)
Lucy Harbin (Joan Crawford) has been in an asylum for 20 years after axing her husband and his mistress during a crime of passion, witnessed by her young daughter, Carol. While trying to renew ties with Carol (Diane Baker), who is now a young woman about to be married, heads begin to roll again. Is Lucy repeating her past? (forgalmazó hivatalos szövege)
(több)Videók (1)
Recenziók (4)
Formailag és színészileg is rokonszenves, old-school thriller, lélektanilag jól elmesélve és eljátszva, mély traumával, baltás gyilkosságokkal, egy csinos kislánnyal és fiatal George Kennedyvel. Kár, hogy a film a végén B-kategóriás filmek vizeire evez egy olyan sokkolónak tűnő csavarral, amely a szereplők korábbi viselkedésének tagadásával lényegében bevallja, hogy a film egyetlen és meglehetősen szerény célja a néző pillanatnyi megtévesztése.
()
The combination of William Castle, Robert Bloch and Joan Crawford worked great and I watched Strait-Jacket with the satisfaction of watching something that was good, that actually tried to keep the viewer at least a little tense. Indeed, it's clear that William Castle took a lot of inspiration from the imagery of Psycho - the comparison is also there thanks to Bloch - but still, Strait-Jacket works very well as a horror film.
()
This is a typically enjoyable William Castle romp, unfortunately also one of the most transparent and least satisfying in its denouement. Certainly, this movie surprises more with a few scenes that are quite daring for the mid-sixties than with what I am reluctant to call a plot twist. However, with a likable cast and a generally old-school feel, it is still a very enjoyable watch.
()
William Castle made very entertaining movies and it didn't even matter that they were such derivatives of Hitchcock, including the powerfully shocking twists, which aren't lacking here either. But I have to say that it was probably the only weak moment. Not that it wasn't surprising, but I was expecting a different plot direction at the end. If you're expecting some shocking moments, better ignore it. A few heads do get chopped off, but it all happens off-camera, or in one case in a millisecond, so don't really expect anything like the stabbing in Psycho. Joan Crawford gives a fantastic performance, stealing every scene for herself, though her film daughter is not far behind. My fourth William Castle film and probably the weakest, but still great fun.
()
Hirdetés