Zeneszerző:
Kwong-Wing ChanSzereplők:
Anthony Wong, Eric Tsang, Carina Lau, Francis Ng Chun-yu, Edison Chen, Joe Cheung, Shawn Yue, Jun Hu, Arthur Wong, Roy Cheung Yiu-yeung, Chapman To (több)Tartalmak(1)
Ez a rész a Szigorúan piszkos ügyek (2002) cselekményének előzményeit dolgozza fel, amikor a fiatal Yan beépül a Triádba és Ming a rendőrséghez. Mindkettejüknek meg kell küzdenie a társaikkal, hogy befolyásos pozícióba kerülhessenek így szolgálva meggyőződésüket és főnökeiket. De azt nem adják ingyen. (Mokép)
Recenziók (4)
The story is set in a time preceding part one. In other words, the years when the two central protagonists joined the police and the hierarchy of the Triads. In fact it is more like framed by these two characters, but focuses more on other characters we are familiar with. And isn’t this like cheekily and cheaply watering down stew to make it go further? That’s what it seems like for the first couple of minutes, or until the story moves forward to the events of 1995. Afterward it is again a suspenseful, flawless crime movie with an intelligent screenplay, amazing actors and a marvelous technical side. In terms of quality this is unarguably less good than its other brother, but it’s still so good that most pictures of similar genres must gawp in silent envy.
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Szolid előzetes a Szigorúan piszkos ügyek című, kiváló rendőrségi drámához. De még mindig az árnyékában. Bár a film sikeresen kibővíti az első filmben háttérbe szorult szereplők körülményeit, koncepciója inkább az eredeti filmet kiegészítő információforrás, mintsem teljes értékű dráma. Túlságosan túlkombinált, nem ad annyi teret a kapcsolatoknak, és az első film ismerete nélkül használhatatlan.
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I really liked that I actually learned several details from the "intermediate period" and a deeper understanding of the psychology of the main characters in this sequel. Mainly because the creators took enough care to avoid repetition and, unlike the first installment, the majority of attention is now focused on the duo of main characters controlling the entire story. The straightforward thriller thus becomes a complex composition with an atmosphere reminiscent of The Godfather.
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The film continues to maintain its visual and somewhat narrative qualities, but I can't shake the feeling that it remains in the shadow of its one-year-older brother. The creators, however, demonstrate a talent for incredibly cinematic shots that have an interesting effect on the viewer. I liked this aspect in the first film, and it continues here. The violent scenes are often shot interestingly, although they can be somewhat clichéd.
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