Rendező:
Stéphan CastangForgatókönyvíró:
Mathieu NaërtOperatőr:
Manuel DacosseSzereplők:
Karim Leklou, Vimala Pons, François Chattot, Jean-Christophe Folly, Karoline Rose, Stéphan Castang, Michaël Perez, Benoît Lambert, Sébastien ChabaneTartalmak(1)
Miután két munkatársa minden ok nélkül megtámadja, Vincentet hazaküldik a munkahelyéről. De a férfi az irodán kívül sincs biztonságban, szinte mindenki az életére tör, aki szembe jön vele az utcán. Nyugodt életre aligha számíthat, ráadásul az őt érintő események egyre erőszakosabbá válnak, így menekülni kényszerül. Stéphan Castang sötét humorral és őrülten sokkoló pillanatokkal tarkított, idegőrlő thrillere kirántja a szőnyeget a főszereplője (Karim Leklou) - és a közönség - alól. (ADS Service)
(több)Recenziók (6)
Már-már őrülten egyszerű ötlet, amelyből az alkotók hihetetlen dolgot hoztak ki – az abszurd helyzetben lévő ember pszichológiai tanulmányát, posztapokaliptikus méretű társadalmi szatíraként előadva. Fantasy elemek és nagy jelenetek nélkül annak ellenére, hogy a film nagyrészt külső helyszíneken játszódik. Vincentet egyszerűen néhány ember támadja, ok nélkül. Mégpedig nagyon agresszív módon. Az ismeretlen eredetű és okozatú, egyre fokozódó veszély, növekedő paranoia, elkerülhetetlen elzárkózás. Sok film, kevés pénzért. [Sitges FF]
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A new addition to my favourite sub-genre of films in which the main character loses his security of being as a result of an inexplicable phenomenon and has to cope with it somehow. They have managed to turn a great idea into a functional film for little money, brimming with a paranoid atmosphere and an escalating sense of hopelessness. There aren't many "horror" scenes as such, but the "horror" at its core is stronger and more impressive than the vast majority of pure genre films. The first half is better than the second half, and I agree with the criticisms of others that the film is not very successful in finding its footing at the end.
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A dense psychological thriller with an original concept. The story revolves around Vincent, a very ordinary guy who works in an office, but all of a sudden he is attacked by random people who want to murder him and he has to adapt to a new lifestyle. Danger lurks at every turn and he learns that there are more like him. Vincent is literally living a nightmare where no one can be trusted – even small children will want to kill him. It's clever, it's pulled off by the lead actor's performance, it's got quite a disturbing atmosphere, it's entertaining, and the ending builds to a finale of apocalyptic proportions that was pleasantly gritty. A French metaphor for violence in society and I enjoyed it. It's a shame the film leaves questions unanswered, I certainly wouldn't be angry for a twist here. 75%
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Vincent Must Die is the story of a middle-aged man in hiding who suddenly begins to fall victim to random brutal attacks by his friends or passers-by. And what begins as a rather comical premise gradually escalates to new and new levels. To reveal more would be a disservice to the story, as it's very entertaining to watch the film take new directions as the minutes pass.
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The French answer to It Follows, Vincent Must Die serves more as a metaphor for societal violence than a full-throttle horror, though it doesn’t shy away from brutal moments when needed. The meticulously crafted beginning slows down with a sudden change in location, yet it still delivers some memorable scenes along the way. This high-concept film is engaging, though it has its flaws and seems unsure about how to wrap things up. Despite this, it’s a movie that will resonate with me for a while.
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A simple metaphor for violence in society and the absurdity of conflicts, Vincent Must Die starts out as an adrenaline trip with elements of black humour, but it ultimately runs only at half-throttle and the rather slower narrative pace is given priority. Particularly in the first half, a number of scenes are entertaining, but then the film starts to get bogged down in its own inconsistency and a lot of questions come up that it is unable to answer. Furthermore, the plot shifts over time from being about the necessity of adapting to newly established rules in order to survive in a world in which violence is spreading like the plague to a bizarre romantic storyline, which is an unwelcome diversion from the most interesting part of the film.
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