Rendező:
Charles ShyerOperatőr:
Ashley RoweSzereplők:
Jude Law, Sienna Miller, Kevin Rahm, Gedde Watanabe, Claudette Mink, Edward Hogg, Paul Brooke, Marisa Tomei, Susan Sarandon, Jane Krakowski, Nia Long (több)Streaming (1)
Tartalmak(1)
Alfie szívtelen szívtipró. A nagy nőcsábász hírében álló jóképű angol úriember nem tud ellenállni egyetlen nőnek sem, és alig találkozott olyan nővel, aki neki ellent tudott volna állni. A legfontosabb feladat számára becserkészni a napi "áldozatot", azután irány az ágy - vagy inkább a limuzin hátsó ülése -, aztán máris jöhet a következő. Ha nem említettük volna: Alfie limuzinsofőrként dolgozik, a gazdagokat furikázza Manhattan utcáin. Alfie-nak csak egyetlen komoly elve van: ne randevúzz egyedülálló anyukákkal, mert nem csak egy gondot veszel a nyakadba! (UIP-Duna Film)
(több)Videók (1)
Recenziók (3)
A few months from the life of a womanizer, or a one-man show for Jude Law and his best acting performance so far. Unfortunately, I haven't seen the original version with Michael Caine yet, but given the quality of this film, I dare say it's a successful remake. The film also has excellent visuals and good pacing. A great advantage are Alfie's women, who are not just a "nameless herd", but each of them is unique and well played. It is a pleasant surprise that towards the end of the film, it does not turn into a classic romantic comedy, but remains faithful to its tone throughout. Nevertheless, because of the reformed Alfie, the second half isn't as great as the cynical first half of the film.
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I have a weakness for Jude Law, so inevitably I can't tear down this film. Why would I do that when he is practically never out of the frame the whole time and he is a real joy to look at? To make matters worse, the role of the incorrigible womanizer fits him like a glove. The plot has a decent pace and Jude's final speech to the camera is simply unforgettable. Last but not least, I was blown away by the theme song "Old Habits Die Hard", co-written by Mick Jagger and Dave Stewart. (80%)
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Optimism, enthusiasm, narcissism, boastfulness. And suddenly, in the second half, none of it. What is sadder than losing the wit and talk of a reformed womanizer? And what is more boring than a freshly positive film turning into a moral lesson? Jude Law is cool and performs in a role written just for him. With a different screenwriter, I would be happy to see him like this all the time.
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