Rendező:
Richard KellyForgatókönyvíró:
Richard KellyOperatőr:
Steven PosterSzereplők:
Cameron Diaz, James Marsden, Frank Langella, James Rebhorn, Gillian Jacobs, Celia Weston, Lisa K. Wyatt, Holmes Osborne, Andrew Levitas, John Magaro (több)Tartalmak(1)
Te mit tennél, ha valaki adna egy dobozt, egy gombbal a tetején, amit ha megnyomsz, egymillió dollár üti a markod... ugyanakkor meghal valaki, akit nem ismersz? Megtennéd? Pontosan ezzel a kérdéssel szembesül Norma (Cameron Diaz) és Arthur Lewis (James Marsden). 1976-ot írunk, az angoltanár és a NASAnak dolgozó mérnök átlagos külvárosi életet él kisfiukkal, amíg egy nap egy rejtélyes, torz arcú idegen (Frank Langella) fel nem bukkan, és eléjük nem teszi a dobozt, mint a nagy lehetőséget életük megváltoztatására. 24 órán belül dönteniük kell. Norma és Arthur súlyos morális dilemmával szembesülnek, hamarosan pedig arra is rájönnek, hogy döntésük következménye messze túlnő rajtuk. (ADS Service)
(több)Recenziók (7)
Érdekes téma, egyedi és mámorító atmoszféra (zene, díszlet és az egész retró hangulat a jelmezektől a falakon lévő tapétákig). Kár, hogy a sztori hátterében álló sci-fi összeesküvés annyira túlzottan "fantazmagórikus", hogy az egészet lealacsonyítja. A filmet azonban, mint megfelelően kreatív mókát, érdemes megnézni, és minden bizonnyal hosszabb vitákra ad okot, mint a legtöbb fantázia nélküli, sablonos sci-fi thriller.
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Ugh, we've ended up someplace completely different... I expected a lot from this movie. Unfortunately my expectations were not met. The movie was so bland and flavorless and there was too much unnecessary sci-fi. I do appreciate how it could be confusing, since I had to check about three times to make sure the film was from 2009. The clothes, home furnishings, and overall atmosphere are more in keeping with the time 20 years ago. A bit unhinged, but again, boringly unhinged.
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It’s been very long since a film made me feel so nervous and uncomfortable. The Box has a great atmosphere, a surprisingly brilliant digital retro look and a disturbing story. The direction is quite insane, but with a style that you can tell is intentional. And Frank Langella in the role of a “weird fellow” is almost the incarnation of my nightmares.
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I can say for myself that I really enjoyed The Box, and if the director and screenwriter in-one had waited a little longer with the point and the tension had increased, my satisfaction would have been maximum. I realize that even many famous films often don't work at their core. Here, the mysterious atmosphere and omnipresent tension work very well. Actually, the only significant criticism I would have is towards Cameron Diaz's casting. Sweet Cameron, may she not be mad at me, has always been and remains just a typecast actress with limited range. In a film like The Box, the viewer's impression primarily depends on the performances, and it requires someone from among the best character actresses. I don't know, maybe Cameron Diaz was involved in the film as a co-producer, or the production demanded a famous face, but in any case, it was a mistake. Overall impression: 75%.
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Kelly has stopped reveling in his own dubious genius and has come back down to earth to serve up a highly polished and inventive genre hybrid with a faded 1970s atmosphere, moral dilemmas, and a demonic Frank Langella. He doesn't bother with long explanations, he simply reminds us of Kubrick and aims straight for the goal. The ending was excellent.
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