Rendező:
Richard LoncraineOperatőr:
Darius KhondjiZeneszerző:
Edward ShearmurSzereplők:
Paul Bettany, Kirsten Dunst, Robert Lindsay, Austin Nichols, James McAvoy, Eleanor Bron, Bernard Hill, Nikolaj Coster-Waldau, Jon Favreau, Sam Neill (több)Streaming (1)
Tartalmak(1)
Peter Colt, a lecsúszott angol teniszező, a világranglista végén kullog. Már megbékélt sorsával, eldöntötte, hogy visszavonul. Egyetlen vágya, hogy méltóképpen vegyen búcsút pályafutásától. Az amerikai Lizzie Bradbury viszont feltörekvő csillaga a sportágnak, csak az érdekli, hogyan tud feljutni a csúcsra. Kettőjük wimbledoni találkozása meglepő eseménysorozatot indít el, a magánéletben és a pályán egyaránt. Ahogyan Paul teljesítményét nem várt magasságokba röpíti a szerelem, úgy zavarodik össze Lizzie az érzéstől és eközben sorra veszíti el a fontos meccseit. (Mirax)
(több)Videók (1)
Recenziók (7)
Büntetést érdemlő rutinos forgatókönyvet a színészek, a zene és a teniszversenyek alatti vizuális játékok frissítik fel. Valamivel jobb, mint a legtöbb amerikai romantikus vígjáték, de lényegesen gyengébb, mint a jobb brit vígjátékok.
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I could not help it, but this movie did not impress me at all. While I like Dunst and Bettany, I found this to be an incredibly vacuous movie, dominated mainly by typical cinematic conventions, stale dialogue, predictability, and boredom. Ninety-eight minutes felt incredibly long to sit through, and if it were not for the above two actors, I probably would have fallen asleep from boredom. I am awarding this a weak two stars.
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At first glance, Wimbledon looks like another of the many above-average romantic comedies that we have seen plenty of, but unlike most similar films, it has original and unobtrusive humor. Additionally, it takes place in a new and unexplored setting of tennis, which is another big plus. What can be considered a “classic” was the soundtrack, composed of a mix of classic romantic pop songs mainly performed by female interpreters – nothing against it, because overall the film works quite well and that is the main thing.
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An enjoyable film that doesn't impress with anything, but pleases with its depiction of the unglamorous environment of elite tennis and the extremely likable central duo Bettany – Dunst. The ingredients are mixed in the right proportions, with a bit of unobtrusive humour, a bit of match suspense (though given with a predictable outcome the plot development, and Bettany's match comebacks were more from the realm of science fiction), a bit of overdone (yay!) romance. The legendary John McEnroe can be seen as a sports commentator, and to make the actors look like real players, the Australian Wimbledon winner Pat Cash worked as an advisor and coach. I believed Bettany as a top tennis player, Dunst less so (weird loop on the serve)......All in all, three and a half*.
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A visually excellent and narratively appealing spectacle, but it proves that even a British machine for unforgettable romantic comedy gems can run aground. In my eyes, Wimbledon will never reach the quality of something like Notting Hill, let alone Love Actually. I don't mind that a potential hit turned out to be a forgettable snack. Indeed, I've been wondering for quite a while about when exactly the time would come when a main couple would just spend the night together shortly after meeting, instead of it being one of the emotional peaks. Not to mention that Paul Bettany is an excellent actor, but he absolutely does not fit as a romantic hero. Fortunately, Kirsten Dunst is as gorgeous as ever, and her lighthearted performance can cover up many plot hiccups.
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