Rendező:
Carlota PeredaForgatókönyvíró:
Carlota PeredaOperatőr:
Rita NoriegaZeneszerző:
Olivier ArsonSzereplők:
Laura Galán, Pilar Castro, Claudia Salas, Camille Aguilar, Carmen Machi, Julián Valcárcel, Chema del Barco, José Pastor, Irene Ferreiro, Richard Holmes (több)Tartalmak(1)
Sara, a túlsúlyos tini, a falujában nyaraló menő csajok gúnyolódásának állandó célpontja. Még a gyerekkori barátja, Claudia sem kel a védelmére, amikor egy napon a lányok - egy ismeretlen férfi füle hallatára - csúfolni kezdik a medencénél. Elviszik a ruháit, így Sara kénytelen egy szál bikiniben nekivágni a hazavezető útnak. Az útnak, ami hatással lesz egész hátralévő életére. (ADS Service)
(több)Recenziók (3)
Egy túlsúlyos lány szenved a kisvárosi környezet gúnyolódásaitól. Az egyetlen személy, akiben véletlenek folytán támaszt talál, egy gyilkos, akinek kilétét és tartózkodási helyét csak ő ismeri. Érdekes téma és ígéretes filmkezdés, de a forgatókönyv kezd elkalandozni az érdekes dolgoktól, és idegesít felesleges párbeszédekkel anyával és a rendőrséggel, keresve a választ arra, hogy a főszereplő miért titkolja az általa látott eseményeket. Mintha a néző nem tudná. A túlzásba vitt véres finálé tompítja a néző zavarát, de az elpazarolt potenciál benyomása megmarad.
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Fat Carrie from the Spanish backwoods. Sarah, a butcher's daughter, is being bullied by a trio of douchebags. Coincidentally, however, after one particularly nasty episode, she witnesses said douchebags being loaded into a white van by an unknown psychopath and driven off to enjoy some torture. Good for them, she says logically enough, and with a friendly wave she lets the van drive off and keeps the whole experience to herself. Her conscience gnaws at her a little, but the situation is complicated by the fact that she and the kidnapper have formed a romantic bond during the brief moment they saw each other. What follows is a surprisingly brisk horror-thriller ride (I was expecting a much more sedate film that prefers dramatic digging into moral issues over genre attractions) with irresistible gusts of black humour and a decently gritty finale. Given that Piggy doesn't take itself too seriously, I'll turn a blind eye to some of the awkward scenes (e.g. the sequence when the heroine goes looking for her mobile phone and randomly bumps into several people is simply weird) and I’m giving it a weak four.
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Oink Oink Oink! Disappointment from Spain. Piggy had the potential to be a great bully/revenge exploitation film with many interesting scenes, but everything was left unused. Personally, I was hoping that the first half would get a psychological charge with an obese girl being bullied in the worst way, to then take revenge on all the girls in the style of I Spit On Your Grave, but I was very soon misled with what they served up. There is only one bullying scene (that's downright mockery), this is exactly what the film should have built on to give the viewer some empathy for the girl, because sympathy is definitely not won and she is not pretty to look at. So instead of bullying or anything interesting, we get more of a social drama where nothing much interesting happens and the TV visuals make it a very uninteresting spectacle. Unfortunately, even the revenge itself isn't satisfying, anyone who has seen a few films in this genre can't be satisfied with this one at all. There is some violence at the very end, but it's so woefully little and late that it's hardly worth mentioning. Piggy tries for some sort of social subtext, but it's woefully boringly shot and uninteresting. There isn’t any gore or dirty exploitation. It didn't entertain me or satisfy me, it pissed me off. 4/10,
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