Rendező:
Dan TrachtenbergForgatókönyvíró:
Patrick AisonOperatőr:
Jeff CutterZeneszerző:
Sarah SchachnerSzereplők:
Amber Midthunder, Dakota Beavers, Dane DiLiegro, Stormee Kipp, Michelle Thrush, Julian Black Antelope, Stefany Mathias, Mike Paterson, Nelson Leis (több)Streaming (1)
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A 300 évvel ezelőtti komancs nemzetségben játszódó történet Naru, egy vad és rendkívül képzett harcos történetét meséli el, aki a Nagy-síkságon kóborló legendás vadászok árnyékában nőtt fel. Amikor tehát veszély fenyegeti a táborát, elindul, hogy megvédje népét. A prédáról, akit becserkész, kiderül, hogy egy magasan fejlett, idegen ragadozó, akinek technikailag fejlett fegyverarzenálja van. (SuperTV2)
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Recenziók (16)
Egy tartalmas erdei kaland, szép indiánpoétikával és a valaha volt második legjobb filmszörny látványos visszatérésével. A forgatókönyv halad, és kedves részleteket és meglepetéseket tartalmaz, az akció gördülékeny és mozgékony. A woman power elem természetes és hihető, a "vadember a vadember ellen a vadonban" vonzó motívum pedig kiválóan ki van használva. Színészek és maszkok méltóságteljesek, ismeretlen Amber Midthunder tízszer jobb, mint az Oscar-díjas Adrien Brody (egyébként szolid Ragadozók Nimród Antal rendezőtől). Van néhány apróság, amit kritizálni lehet a filmmel kapcsolatban, például a végső harc lehetett volna átgondoltabb és kevésbé elkapkodott, de az általános elégedettséghez képest ezek csak apró részletek. Egyetlen filmszéria sem halott, csak a megfelelő emberre vár. Dan Trachtenberg a legönállóbb utat választotta, a szívét beleadta, és a legtöbb sikert aratta. Egy tehetséges filmkészítő és filmrajongó filmje, filmrajongóknak.
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A straightforward intimate period survival "from the mud to the puddle and back to the mud again" that would stand on its own, especially when it is functionally, and not just for show, set in the Predator universe. It's not without many "buts" (the atmosphere should have been thicker, it could have done with even more reliance on practical effects instead of digital, at times it feels like an adaptation of a rebooted Tomb Raider, and the English language didn't need to be so overused), but who cares when it works so well.
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Dan Trachtenberg gave me a similar pleasure as he did with 10 Cloverfield Lane. Predator: Prey is a confidently made adventure horror film that isn't afraid to go its own way, and at the same time, I dare say it will please fans of Predator more than anything that came after the second film. And like 10 Cloverfield Lane, the trailers are pretty deceptive and the film ends up having a slightly different feel and pace than you might expect. Still, I think I enjoyed the first half more, where there's no rush to get anywhere and the Comanche setting is unadorned and quite attractive. And while there's no Arnold, these tough guys from the American plains aren't wimps either. The main character is also very easy to root for. What I enjoyed most, however, was the way Trachtenberg treats the Predator itself in the first half. It gets an unexpected amount of space here, and for the first time we get to see it properly as a hunter, and a very fierce and cruel one at that. The new Predator won't rewrite the history of the genre or the brand, but it's a well made and above all cleverly conceived film. The former is what we hoped for, the latter is what I personally didn't expect, and I'm all the more pleased about it. It was a success.
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A bit of a better made-for-TV movie. The few panoramic shots try to give the impression of visual richness and grandeur à la National Geographic, but for the vast majority of the time it's just a visually poorer film that doesn't belong in the cinema and the streaming format suits it. It doesn't lack a few neatly severed heads, what it lacks the oppressive atmosphere of the first one, which is on a completely different level. The Indians lack believability, and when I compare it to the likes of Mel Gibson's Apocalypto, which literally worked wonders with a comparable budget in terms of period authenticity and visual gore, I almost want to cry. A female protagonist in a predator franchise is an interesting idea, unfortunately in a film where only the bear scene stands out from the average. And no, the heroine's final fight, which turns the Predator into an incompetent moron, I really didn't buy that one. Arnold could beat such a naive slob with just his farts.
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Dan Trachtenberg has revived the Predator brand and even though no one believed in the film after the first trailers, it is a success and I am happy with it too. I appreciate that Prey is set during the Comanche era, it has an Apocalypto feel to it and we don't get many gritty films with Indians, much less in the horror subgenre, so I applaud the period and the setting. I liked that the first half is like survival flick where we watch a bunch of animals hunting each other (cougar, bear, wolf, snake, rabbit). I could easily imagine a whole movie where a bunch of CGI animals eat each other in the jungle accompanied by a dense R-rated action, it would probably drive me crazy (so hopefully I'll get to see it one day). The Predator slowly gets acquainted with a new planet and a lot of time is spent hunting, which I enjoyed. The second half turns into a decent action inferno where the Predator attacks the French colonizers and that is one of the best scenes of the film, the final duel is also good. There are some impressive deaths, though the gore could have been more nutritious, but it's sufficient. Amber Midthunder is likeable and surprisingly skilled in combat, so I had no problem believing her. The music and atmosphere were also good. The only minor issue I have is with the Predator's invisible camouflage, which didn't make a good impression on me, but once the hunk showed up in full glory I was satisfied. For the new generation that probably won't put on the original Predator anymore, I think Prey is a cool notch in the franchise. Story 3/5, Humor 0/5, Violence 4/5, Fun 4/5 Music 4/5, Visuals 4/5, Atmosphere 4/5, Suspense 4/5, Emotion 2/5, Actors 3/5. 8/10
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