A majomember

Beautiful. The first proper action flick of the year from the inexperienced Dev Patel, who shines both in acting and directing, and to come up with such a great debut in this day and age, takes my appreciation and compliments. Even if the 5 stars aren't entirely pure, I'll happily give them to Monkey Man, this is after all my favourite genre and a film I'll happily watch with friends again, so why not! At its core, Monkey Man is a classic revenge actioner, but thanks to the Indian realities and culture, it has a very different vibe and actually feels very fresh. I loved the contrast where one scene is slums and utter poverty and squalor and the next is skyscrapers with rich scumbags doing coke instead of shots and banging Miss World. There are only three action scenes, but they are nice and long. The first lasts at least 20 minutes, it’s where Dev Patel doesn't know how to fight that much yet, so he gets a decent ass kicking too. Halfway through, the film switches a bit into spiritual Indian mode, where Patel gets a workout and they nicely show India from a different direction, so that we can then get a look at the Ring, this is where the film is most reminiscent of the Ong-bak, and it’s all wrapped up with an ultra brutal long finale that combines both John Wick and The Raid. The finale is again long, pleasingly brutal, with great cinematography (Patel nicely switches camera angles: bird's eye view, first person camera, close up and distance), and I like that the film has virtually no shooting but relies on melee weapons, and I liked the innovative element of rocket firecrackers!! The Indian assassins at the end were a delight, they were pretty damn cool, and the ultimate boss fight was a nice cherry on top. I had a great time, visually properly dirty and brutal, the action scenes are polished, Patel has charisma to spare and, as I mentioned, the Indian culture suits the film very well. It could have had a little more gore, there's less of it than I wanted in the end, but I'll rise above that. 85% (2024.04.05)

Some good revenge flick has spawned a child with Slumdog Millionaire and emerged with a confident directorial debut that is anything but a simple action flick for housewives to iron their laundry. Dev Patel also approaches even the usual scenes in his own original way, so that even an ordinary training montage is brimming with ideas that won't soon get stale, and the action sequences themselves, which the film spares, demonstrate imaginative choreography. The cinematography is brimming with over-stylised colours and I liked how the mental processes in the protagonist's face are originally portrayed through cartoonish images. But where the story of the monkey man breaks out of the usual genre pigeonholes is its socially critical feel. India, though beautiful, is actually a harsh country with huge social divides where even within the same neighbourhood you can find luxury and abject poverty side by side, and Patel beautifully highlights and critiques this. There is the luxury of modern skyscrapers and right next to it a neighbourhood of dingy slums with crowded, cramped alleys. But the poor here are not in the position of those who bemoan their status, but as someone who has a rich inner life with faith in their Indian deities. Unexpectedly, you learn more about Indian society from this film than the shallow fairy tale of the aforementioned Millionaire, which also wanted to be a social probe, but stuck with the fairy tale. Sure, not everything Patel does is up to scratch – for instance, the elevator fight to the completely unsuitable accompaniment of Boney M is one of the most bizarre things I've seen in the action genre, and I don't mean that in a good way. But those are minor things, Dev otherwise handled it with flying colours. (2024.09.09)

Good stuff, though a little different than I expected. Dev Patel turned out to be a good action hero, but more importantly he managed to show his talent as a director. He knows how to play with visuals and over-stylized colours, beautifully evoking the feeling of two worlds in an Indian metropolis, and he's totally confident and assured in action. He makes imaginative use of camera and editing, as well as cover versions of 80s songs, and he's not afraid of blood in the slightest. Monkey Man is very much a gritty spectacle, and in the action scenes it recalls The Raid or Ong-bak, and Tom Yum Goong with Tony Jaa in its dirtiness and uncompromising nature. So it's rather disappointing that all this visual and action deliciousness is based on the most banal revenge story, there are virtually no supporting characters and the Indian mysticism has perhaps too much space for my taste. Moreover, it doesn't really get going properly until somewhere around the middle, so I left the cinema feeling that I might not have gotten quite what I was hoping for. As a debut, however, Monkey Man is mature, imaginative and clearly acted and filmed with gusto. As an action filmmaker, Dev Patel will definitely interest me. (2024.04.02)

Whoever expects an action spectacle and wicked thrashing will inevitably be disappointed, though I can’t remember the last time I saw a film that radiates such pure and palpable anger, or even rage. Dev Patel has filmed a somewhat fragile story about brutal revenge that, based on the myth of the monkey king, shakes a fist at contemporary India and its social chasms and injustices. Monkey Man is refreshing in that it doesn’t build up a macho avenger, but a character who has to harmonise his masculine and feminine sides in order to become the (monkey’s) fist of justice. The film nicely mythologises and works with the antithesis of the image of India as a land of light, fragrances and colours that we know from the dreadful Slumdog Millionaire. Patel goes all-in on both aspects. Intense acting, imaginative directing – the way the film inventively changes style and tells the same story twice reliably held my attention. In addition to that, I was emotionally touched by the motif of motherhood and the ensuing fragility of the modern-day Hanuman. The result? A film that economises on the action, but it doesn’t seem lacking. Like its protagonist, it works hard for its moments. Monkey Man knocked me out. (2024.04.05)

Where John Wick is all about fancy choreography and nicely shot bombastic action, Monkey Man adds a more human hero with motivations closer to my own, animalism, an unadorned and attractive setting in India, mysticism, and thought-provoking social themes (even if those are only lightly pitched). Yeah, I can enjoy an "action movie" in this form. Audiovisually top notch, a fantastic directorial debut. (2024.04.05)